Mary Cargill

The French Connection

The French Connection


"Rondo Capriccioso", "Symphonic Variations", "Daphnis and Chloe"
American Ballet Theatre
David H. Koch Theater
New York, NY
October 20, 2016


The music for ABT's Fall gala was French and so was the main event, the American premier of Benjamin Millepied's "Daphnis and Chloe", choreographed for the Paris Opera Ballet in 2014.  It was well-received in Paris, but perhaps it is a case of vive la différence, since the ballet, though strongly and enthusiastically

By Mary Cargill
The Human Condition

The Human Condition


 "Aureole", "Dust", "Piazolla Caldera"
Taylor 2 Dance Company
Michael Schimmel Center for the Arts
Pace University
New York, NY
October 15, 2016


Paul Taylor established Taylor 2 in 1993 to perform versions of his works on smaller stages which might not accommodate the larger company. The company tours widely and also works in arts programs in schools, so the dancers in the six-member group are seasoned and accomplished performers. Many of Taylor's larger works are redone for

By Mary Cargill
Birds of a Feather

Birds of a Feather


"Dances at a Gathering", "Firebird"
New York City Ballet
David H. Koch Theater
New York, NY
October 14, 2016


"Dances at a Gathering", Jerome Robbins' marathon exploration of Chopin, was paired with the Russian "Firebird"; two American ballets with an Eastern-European heritage. "Dances" works best when the dancers react as a community, rather than performing a series of dances. This feeling is illusive, and, in this performance, came in fits and starts. There were late substitutions and some debuts

By Mary Cargill
New and Old

New and Old


"Antique Epigraphs", "She Holds Out Her Hand", "Short Memory", "Song Before Spring"
New York Theatre Ballet
Danspace Project
St. Mark's Church
New York, New York
October 6, 2016


The New York Theatre Ballet is a chamber group renowned for its recon- structions of older, smaller, infrequently seen works which has in recent years broadened its approach with a series of programs called "Legends & Visionaries" which combine older works with new ones, often created for the company.

By Mary Cargill
Something Old, Something New

Something Old, Something New


Something Old, Something New

"Valse Fantaisie", "Confianza", "And So It Goes...", "Tessellations", "Spring Waters", "Suite Saint-Saëns"
Joffrey Ballet Concert Group
New York Live Arts
New York, NY
May 26, 2016


The Joffrey Ballet Concert Group is made up of pre-professional students form the Joffrey School in New York, and the dancing was polished, detailed and stylish. The program ranged from the swirling romanticism of Balanchine's "Valse Fantaisie" to three premieres and the style from classical ballet to

By Mary Cargill
A Fine Night

A Fine Night


"Valses Nobles et Sentimentales", "Tweedledum and Tweedledee", "The Walk to the Paradise Garden", "Friday's Child", "Sinfonietta/2nd Movement", "Façade"
The Sarasota Ballet
Joyce Theater
New York, NY
August 8, 2016


"A Knight of the British Ballet", the title of the Sarasota Ballet's week-long Joyce program, refers to Sir Frederick Ashton, Britain's great choreo- grapher. Iain Webb, Sarasota's director, had danced in a number of Ashton's works as a member of the Sadler's Wells

By Mary Cargill
A Long Winter's Night

A Long Winter's Night


"The Winter's Tale"
National Ballet of Canada
David H. Koch Theater
New York, NY
July 29, 2016


Shakespeare's "The Winter's Tale" is a play about jealousy, madness, grief, regret, and redemption, combined with a complicated plot and questionable geography (the sea cost of Bohemia plays an important role). The National Ballet of Canada, as part of the Lincoln Center Festival, appeared in Christopher Wheeldon's 2014 co-production with the Royal Ballet and Canadians; the choreographer 

By Mary Cargill
Accent on Youth

Accent on Youth


" First", "The Saloneers", "thunder rolling along afterward", "Walk Me Through"
New Dances: Edition 2016
The Juilliard School
Peter Jay Sharp Theatre
Lincoln Center
New York, NY
December 7, 2016


Juilliard Dance presented new works choreographed for each of their four classes.  Since the choreographers (John Heginbotham for the 2020 class, Katarzyna Skarpetowska for the 2019 class, Pam Tanowitz for the 2018 class, and Matthew Neenan for the 2017 class) needed to use all of the dancers, the

By Mary Cargill
She Shall Have Music

She Shall Have Music


"The Sleeping Beauty"
American Ballet Theatre
Metropolitan Opera House
New York, NY
June 28, 2016 and June 29, 2016, matinee


The charming moment when the 16-year-old Aurora celebrates her birthday by dancing along a line of violin-holding pages has, over the years, become a technical tour de force with Aurora rising on point, rolling down through her foot into a series of unsupported arabesque penchées while beaming at the audience. Alexei Ratmansky has

By Mary Cargill
Looking for a Hero

Looking for a Hero


"The Golden Cockerel"
American Ballet Theatre
Metropolitan Opera House
New York, NY
June 8, 2016, matinee and June 9, 2016


Ballets inspired by the 1905 Russo-Japanese War are rare, but the ignominious and humiliating defeat of Russia by the here-to-fore unheralded Japanese was a profound shock to the Western powers. Rimsky-Korsakov reacted by composing an opera based on a Pushkin poem which was an adaptation of a Washington Irving story inspired by studying Moorish Spain--multiculturalism

By Mary Cargill
To Be a Pirate King

To Be a Pirate King


"Le Corsaire"
American Ballet Theatre
Metropolitan Opera House
New York, NY
June 1, 2016, matinee


There are pirates galore in "Le Corsaire", as well as, like Gilbert and Sullivan promise, some glorious things, primarily by Petipa, which unfortunately means the men must play second fiddle, choreographically, to the women, no matter how high and often they jump. ABT has dropped its flimsy 2013 redesign to return to its 1998 Bolshoi production. The pop-up book look of the sets has

By Mary Cargill