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Twelve Makes A Dozen

San Francisco Ballet

Twelve Makes A Dozen


Program A: "The Collective Agreement," "Bound To" "Hurry Up, We're Dreaming"
Program B: "Otherness," "Snowblind," "Anima Animus"
San Francisco Ballet
War Memorial Opera House, San Francisco
April 20 and 21, 2018


This past weekend San Francisco Ballet opened its much anticipated, or at least much advertised, unbound-a festival of new works with two programs of three world premieres in each. An additional two evenings will bring the grand total to twelve new choreographies. That’s a

By Rita Felciano
Contract and Release

Contract and Release


“Ekstasis,” “Panorama,” “Histoire,” “The Rite of Spring”
Martha Graham Dance Company
City Center, New York, NY
April 14, 2018


In an elegant program that started at the most essential, then wove into the complex, the Martha Graham Company offered a program that was pure Martha. All of the works, from the 1933 solo, “Ekstasis,” to Graham’s mature 1984 “The Rite of Spring,” offered Graham’s signature body geometry, the breath, fists, and sweeping kicks creating scenes and stories of

By Martha Sherman
Miami City Ballet Ends Season with Ratmansky's Concerto DSCH

Miami City Ballet Ends Season with Ratmansky's Concerto DSCH


“Apollo,” “Concerto DSCH” and “La Valse”
Miami City Ballet
Adrienne Arsht Center for the Performing Arts
Miami, Florida
April 13, 2018


Artistic director, Lourdes Lopez addressed the audience before the start of Miami City Ballet’s Program IV and recalled the trajectory of the 2017-2018 season that began with Balanchine’s Emeralds, saw the company’s first post-modern ballet in Brian Brooks’ “One Line Drawn” as well as an all Robbins celebration. The night opened

By Sean Erwin
Ratmansky and the Choreographic Process

Ratmansky and the Choreographic Process


“The Choreographic Process”
with Alexei Ratmansky
Studio 5
New York City Center
April 16, 2018


When “the” is inserted in front of phrases like “the creative process” or “the choreographic process,” the implication is that there is only one process, to which artists conform. In fact, there are as many such processes as there are artists. How an artist approaches his or her medium is deeply personal and likely to be as unique as handwriting or fingerprints. American Ballet Theatre’

By Gay Morris
Exploring the Human Condition

Exploring the Human Condition


“The Resilience Project”
ClancyWorks Dance Company
Dance Place
Washington, DC
April 14, 2018


“The Resilience Project,” performed at Dance Place this past weekend by ClancyWorks Dance Company, investigated how an individual responds to and recovers from a blow. The show included additional performances from the Dance Place Repertory Class and The Ensemble from the University of Bedfordshire, and incorporated dancers with a variety of technical levels to offer a diversity of movement approaches, all relating to the theme of resilience.

By Arielle Ostry
Happy Anniversary

Happy Anniversary


"Charm", "Rapid Oxidation", "Shanti"
Tom Gold Dance
The Kay Playhouse at Hunter College
New York, New York
April 10, 2018


Tom Gold, a former soloist with the New York City Ballet, celebrated the tenth year of his chamber company with a brief New York season showing three of his works, including one premiere, "Rapid Oxidation". As a dancer, Gold was noted for his outgoing, engaging personality and his scrupulous but never flashy technique and he has brought these gifts, along

By Mary Cargill
Pertinency to the Present

Pertinency to the Present


"Shoot the Moon", "The Statement", "Singulière Odyssée"
Nederlands Dans Theater
Opera House
The John F. Kennedy Center for the Performing Arts
Washington, DC
April 5, 2018


This past Thursday, the Nederlands Dans Theater offered a thrilling program, delivering a riveting intensity to the Kennedy Center stage. In three ballets, Paul Lightfoot and Sol Léon, as Artistic Director and Advisor respectively, presented lively, modern stories and showcased a performance full of current relevance and intrigue. Since 1959, NDT has

By Arielle Ostry
Greatness Derailed

Greatness Derailed


"Nijinsky"
National Ballet of Canada
War Memorial Opera House
San Francisco, CA
April 3, 2018


John Neumeier’s 2000 “Nijinsky”, excellently performed by the National Ballet of Canada, is certainly a sui generis extravaganza – a mixture of psychodrama and Cecil B. DeMille. Neumeier is a brilliant designer. His costumes veered from the Edwardian for the hotel guests to modernist flapper ones and reconstructions from Ballets Russes ballets. The two-part set –- secessionist touches for the Suvretta Hotel and

By Rita Felciano
A Distinct Theatricality Mastered

New York City Ballet

A Distinct Theatricality Mastered


“Glass Pieces”, “Fancy Free”, “The Four Seasons”
New York City Ballet 
Opera House
The John F. Kennedy Center for the Performing Arts
Washington, DC
March 31, 2018 (matinee performance)

The New York City Ballet’s second 2018 program at the Kennedy Center this past Saturday paid homage to the legendary choreographer Jerome Robbins by showcasing three of his ballets which varied greatly in style, yet presented a consistent, unique performance quality. The charisma of the dancers, while partly due

By Arielle Ostry
A Robbins Repertory

New York City Ballet

A Robbins Repertory


"Glass Pieces", "Fancy Free", "The Four Seasons"
New York City Ballet
Opera House
The John F. Kennedy Center for the Performing Arts
Washington, DC
March 30, 2018


Jerome Robbins' classic "Fancy Free" is a character ballet. The three women in it wear heels, not toe shoes. Do any of its men snap into 5th position other than for comic effect? Yet this early (1944) work by the choreographer snares the audience's attention and satisfies expectations from beginning to middle

By George Jackson
By Committee

New York City Ballet

By Committee


Mozart "Divertimento No.15", "Zakouski", Stravinsky "Pulcinella Variations",
"Tchaikovsky Pas de Deux", Stravinsky "Symphony in 3 Movements"
New York City Ballet and Kennedy Center Opera House Orchestra
Opera House
The John F. Kennedy Center for the Performing Arts
Washington, DC
March 26, 2018


A formidable feast, a menu of five different ballets, was served by the New York company for the first of its two 2018 programs in Washington. All the works shared an aesthetic: to take

By George Jackson
A Hundred and Still Alive

San Francisco Ballet

A Hundred and Still Alive


"Opus 19/The Dreamer" "The Cage" "Other Dances" "Fancy Free"
San Francisco Ballet
March 2, 2018
Program V
War Memorial Opera House
San Francisco, CA


A full evening of one-choreographer works is a rarity, eagerly to be anticipated. At SFB it took the one choreographer’s centennial and an artistic director’s thank-you for having enabled him to get a spot on the list of the country’s great male dancers. The men, of course, are Jerome Robbins

By Rita Felciano