"Don Quixote"
American Ballet Theatre
Metropolitan Opera House
New York, New York
May 17, 2017, matinee.
"Don Quixote" will probably never appear on anyone's list of all-time great ballets, but it hasn't survived for nearly 150 years only on the strength of its gala-worthy pas de deux with those applause-generating fouettés. The evergreen comedy of a spunky girl who outwits a greedy parent to find true love has, underneath the frivolity, a real
A Conversation with Cassandra Trenary and Alexei Ratmansky
YoungArts Critical Junctures Salon
New York Live Arts
New York, New York
May 14, 2017
The National YoungArts Foundation was established in 1981 by Ted Arison (founder of the Carnival Cruise Lines) and his wife Lin to support young artists by offering those selected for the program a scholarship to a week-long immersion with other students and mentors. Cassandra Ternary, currently a soloist at ABT, was a 2011 YoungArts recipient and
"Time is Money", "George Sand", "Dusty Old Dust", "Mary Tyrone", "Sonnet", "Lyric Suite", "Amanda", "A Point of Doctrine", "Kaddish", "Cante Flamenco", "Shadow of Her Sister"
The Deborah Zall Project: In the Company of Women
Martha Graham Studio Theater
New York, New York
May 13, 2017
Modern dance has a flourishing tradition of female choreographers, but also has traditionally looked forwards, not backwards. Deborah Zall, who danced with Martha Graham before establishing an independent career, bucks this a-historical trend by
"The Sleeping Beauty"
Boston Ballet
Boston Opera House
Boston, Massachusetts
May 6, 2017, matinee
Boston Ballet's production of Petipa's "The Sleeping Beauty" has a distinguished pedigree. The company acquired the 1977 Ninette de Valois version for the Royal Ballet; de Valois had danced in the famous 1921 Diaghilev version based on the Mariinsky original and she had produced versions for the Royal Ballet in 1938 and 1946 using Nicholas Sergeyev notations of the Mariinsky production. De
"Jeu de Cartes", "After the Rain", "Tschaikovsky Pas de Deux", "Odessa"
New York City Ballet
David H. Koch Theater
New York, NY
May 4, 2017
The New York City Ballet's spring gala clocked in at a crisp and efficient one and a half hours and included two complete ballets, two pas de deux, no speeches, and no intermission. The main attraction was Alexei Ratmansky's new work "Odessa", to "Sketches to Sunset" by Leonid Desyatnikov who also
"Concerto Grosso", "Corvidae", "The Exiles", "Suite from a Choreographic Offering", "Night Light"
Límon Dance Company
Joyce Theater
New York, New York
May 2, 2017
José Límon founded his company in 1946 and after his death in 1972, the LÍmon dancer Carla Maxwell directed it until her recent retirement; Colin Connor, also a Límon dancer, became the artistic director in 2016. The math says that the company has been run without its founder for 45 years, an astounding
"Russian Seasons", "Namouna, a Grand Divertissement"
New York City Ballet
David H. Koch Theater
New York, New York
April 26, 2017
The Ratmansky evening of New York City Ballet's heartily advertised "Here/Now Festival" (ballets created for the company in the last thirty years) had two works, both featuring a generous supply of fine and striking dancing. "Russian Seasons" from 2006 with its color-coded costumes and folk-inflected weighty choreograph looks a bit as if the peasants of
Cholkettu and Ganesha Sthuti", "Sankara Sri Giri", "Anandavalli", "Amrapali"
Neena Prasad
The World Music Institute's "Dancing the Gods"
Symphony Space
New York, New York
April 22, 2017
The World Music Institute's Dancing the Gods sixth annual festival was a two-day presentation of classic Indian dance at Symphony Space; as its curator, Rajika Puri noted, this was the only evening-length program of Indian dance with live music present in New York this year. Neena Prasad, with
"Allegro Brillante", "The Four Temperaments", "Symphony in C"
New York City Ballet
David H. Koch Theater
New York, New York
April 18, 2017
The New York City Ballet's spring season opened with three popular (judging from the packed house and prolonged ovations) Balanchine ballets. Not surprisingly the women were front and center with some tremendous performances and Alston MacGill's impressive debut in the third movement in "Symphony in C". "Allegro Brillante", one of Balanchine's most concise
"Sinfonietta Giocosa", "Motion of Displacement", "Ten Poems"
Scottish Ballet
Joyce Theater
New York, New York
April 16, 2017, matinee
The Scottish Ballet brought fourteen of its dancers and three works for its New York debut, a week-long season at the Joyce Theater. The dancers and the repertoire were not especially Scottish – this was no tourist-eye view of the country. Christopher Hampson, the British born Royal Ballet trained choreographer who has directed the company since 2012, selected one
"Five Songs for Piano", "Les Neuf Danseuses", "Harmonic", "Serenade" (excerpt), "Troublemaker", "Diagnosis", "Blooming Bouquet"
Columbia Ballet Collaborative
Miller Theatre
New York, New York
April 15, 2017, matinee
Ten years ago, a group of students at Columbia and Barnard, some of whom had danced professionally and all of whom had studied ballet seriously, decided to put on a show. Though these students have long since graduated, the Columbia Ballet Collaborative, run entirely by students, is thriving, offering classes, commissioning new works,
"Goddesses & Demonesses"
Blanca Li Productions
New York City Center
New York, New York
March 31, 2017
Blanca Li is a Spanish choreographer with modern and flamenco roots, and in 2015 she teamed up with the renowned Bolshoi dancer Maria Alexan- drova to create an exploration of womanhood refracted through various Greek myths. She used their two amazingly strong bodies, imaginative lighting by Caty Olive (who knew Venetian blinds could be so beautiful?), stunning video wizardry by Charles