Mary Cargill

Creme Fraiche

American Ballet Theatre

Creme Fraiche


"Whipped Cream"
American Ballet Theatre
Metropolitan Opera House
Lincoln Center
New York, New York
May 27, 2019


Alexei Ratmansky's "Whipped Cream" is a multi-layer confection, full of surprising treats, among them the opportunity Ratmansky gives to some of ABT's explosion of young talent. This performance highlighted this, with one principal (Devon Teuscher as Princess Tea Flower), two soloists (Cassandra Trenary as Princess Praline and Thomas Forster as Prince Coffee) and a corps dancer as the Boy (Jonathan

By Mary Cargill
A Child's Eye View

American Ballet Theatre

A Child's Eye View


"Whipped Cream"
American Ballet Theatre
Metropolitan Opera House
Lincoln Center
New York, New York
May 25, 2019 matinee


Alexei Ratmansky's colorful extravaganza "Whipped Cream" returned for the third year, looking vivid and fresh; the dancers, it seems, have become at home in their roles and have added individual touches and comic flourishes.  The many roles, from the Worm Candy Man to the leads, were danced with a snap and vigor, combined with fine comic timing which created a

By Mary Cargill
Ten Years and Counting

American Ballet Theatre

Ten Years and Counting


"Serenade after Plato's Symposium", "The Seasons"
American Ballet Theatre
Metropolitan Opera House
Lincoln Center
New York, New York
May 20, 2019


ABT's Spring gala saluted Alexei Ratmansky's ten year association with the company by presenting an evening of his works, opening with the dense, fascinating "Serenade after Plato's Symposium" and closing with a premiere, "The Seasons", a plotless excursion through Alexander Glazunov's eponymous score, written in 1900 for Marius Petipa.  Fun fact – Glazunov was

By Mary Cargill
Having a Lark

American Ballet Theatre

Having a Lark


"Harlequinade"
American Ballet Theatre
Metropolitan Opera House
Lincoln Center
New York, New York
May 16, 2019


Dying may be easy and comedy hard, as the old saying has it, and "Harle- quinade" has both, though this performance of Petipa's frothy confection of commedia dell'arte characters as reconstructed by Alexei Ratmansky made comedy look easy.  The ballet has all the trappings of an old-fashioned comedy: a poor young man, a beautiful girl, an angry father, and a

By Mary Cargill
Fit for a Tsar

American Ballet Theatre

Fit for a Tsar


"Harlequinade"
American Ballet Theatre
Metropolitan Opera House
Lincoln Center
New York, New York
May 15, 2019 matinee


"Harlequinade", Alexei Ratmansky's gleaming reconstruction of Petipa's 1900 ballet, complete with mime, character dancing, and what looked like hundreds of hats, gave the audience a taste of ballet as seen by the Tsar and his family.  The Tsar, of course, did not have to watch it in the cavernous Met Opera House, so it was easier for him to focus

By Mary Cargill
Golden Oldies

New York City Ballet

Golden Oldies


"Scotch Symphony", "Duo Concertant", "Sonatine", "Stravinsky Violin Concerto"
New York City Ballet
David H. Koch Theater
Lincoln Center
New York, New York
April 30, 2019


The most recent work on the all-Balanchine program was the 1975 "Sonatine" but all the dancers looked fresh and vibrant.  Even "Scotch Symphony", that charming but illogical wish-mash of Romantic themes with kilted men switching effortlessly from menacing barriers to bouncy villagers and an illusive sylph morphing into a triumphant ballerina, shimmered.

By Mary Cargill
Other Worlds

New York City Ballet

Other Worlds


"Prodigal Son", "Liebeslieder Walzer"
New York City Ballet
David H. Koch Theater
Lincoln Center
New York, New York
February 28, 2019


The typical image of a Balanchine ballet features an austere backdrop illuminating the dancers (in leotards or pastel shifts) and their glorious formations, but the February 28th performance showcased two Balanchine ballets whose sets and costumes created distinctive atmospheres.  Georges Rouault's stained glass glow helps give "Prodigal Son" the rooted, ritualistic feel of an ancient parable and

By Mary Cargill
Greeks Bearing Gifts

New York City Ballet

Greeks Bearing Gifts


"Apollo", "Orpheus", "Agon"
New York City Ballet
David H. Koch Theater
Lincoln Center
New York, New York
January 22, 2019


The whims of the calendar decreed that New York City Ballet's winter season opened on Balanchine's birthday and the company honored him by dancing three of his most significant works, the so-called Greek trilogy.  "Apollo" is the oldest of his ballets currently being performed, the theatrical "Orpheus" is the ballet that inspired Morton Baum to invite

By Mary Cargill
Winter Wonderland

Winter Wonderland


"Les Patineurs", "Enigma Variations", "Diamonds"
The Sarasota Ballet
Van Wezel Performing Arts Hall
Sarasota, Florida
December 14, 2018, December 15, 2018 matinee and evening

A triple bill is a complicated balancing act, needing an inviting opener, a solid middle, and a bravura finish. The art of putting them together seems to have been lost in a number of companies, but Iain Webb, the director of the Sarasota Ballet, created a magical combination for his "Victorian Winters" program.  The opening

By Mary Cargill
A Final Olé

New York City Ballet

A Final Olé


"Theme and Variations", "Concerto Barocco", "A Suite of Dances", "Todo Buenos Aires"
New York City Ballet
David H. Koch Theater
Lincoln Center
New York, New York
October 14, 2018


The final program of New York City Ballet's fall season celebrated Joaquin De Luz's retirement, though it was certainly a bitter sweet celebration as the ageless charmer proved he could still thrill an audience.  Indeed, the opening work, Balanchine's "Theme and Variations", has one of the most

By Mary Cargill
Statuesque

Statuesque


"Apparatus Hominus"
Tom Gold Dance
Florence Gould Hall
New York, New York
November 9, 2018


Tom Gold, the former New York City Ballet soloist who now has a small company of semi-regular dancers, many of whom also work for other companies, presented what was billed as his inaugural fall season with an hour-long work originally choreographed for the TurnPark Art Space, an outdoor sculpture garden in the Berkshires.  The printed program included pictures of some of the

By Mary Cargill
The Celebration Continues

The Celebration Continues



"The Four Temperaments", "Pas de Trois (Glinka)", "Pas de Deux from Agon", "Divertimento No. 15"
The Joffrey Ballet, Miami City Ballet, Paris Opera Ballet, San Francisco Ballet
Balanchine: The City Center Years
New York City Center
New York, New York
November 3, 2018, matinee


The City Center's brief Balanchine celebration made the wide appeal of Balanchine's choreography clear on this Saturday matinee as the varied program had no performances by Balanchine's own company.  These performances had

By Mary Cargill