Marianne Adams

“Raymonda Variations,” “Variations Pour Une Porte et Un Soupir,” “DGV: Danse à Grande Vitesse”
New York City Ballet
David H. Koch Theater
New York, NY
September 22, 2019 (matinee)

New York City Ballet could have presented any combination of works for its “Balanchine + Wheeldon” program, but the particular selection of George Balanchine’s “Raymonda Variations” and “Variations Pour Une Porte et Un Soupir” and Christopher Wheeldon’s “DGV: Danse à Grande Vitesse” worked to highlight Balanchine’s creative genius, while

"Darl," "Seventy-Two Hours," "Two Sides Of," "Reverie," "Dialogue Dances"
The Joyce Ballet Festival, Program B
The Joyce Theater
New York, NY
August 10, 2019 

Program B of the Joyce Ballet Festival, curated by The Royal Ballet’s star Lauren Cuthbertson, at first could have seemed like an odd grab bag of material, as thematically its one United States and four world premieres hardly had a connecting thread (besides the almost uniform prominence of Cuthbertson).  On reflection though,

“The Brahms-Haydn Variations,” “Deuce Coupe,” “In the Upper Room”
American Ballet Theatre
The Metropolitan Opera House
New York, NY
May 31, 2019

ABT’s Tharp Trio program was in some ways all about the once-new ways of looking at dance, and in others an unequivocal way to underscore the “American” in American Ballet Theatre. The three Twyla Tharp works – the crowd-pleasing modern “In the Upper Room,” the neo-classical “Brahms-Haydn Variations,” and the completely new to

“Scotch Symphony,” “Valse-Fantaisie,” “Sonatine,” “Stravinsky Violin Concerto”
New York City Ballet
David H. Koch Theater
New York, NY
May 8, 2019

With its “All Balanchine” program, New York City Ballet turned to the older works of its founding master – George Balanchine’s “Scotch Symphony,” “Valse-Fantasie,” “Sonatine,” and “Stravinsky Violin Concerto.”  This particular evening had many debuts, allowing for a fresh look at the company through the older works, and also proving that the company’s classics are

“Slaughter on Tenth Avenue,” “Barber Violin Concerto,” “Diamonds”
New York City Ballet
David H. Koch Theater
New York, NY
May 5, 2019

New York City Ballet’s “Barber, Broadway & Balanchine” program, showing Balanchine’s “Slaughter on Tenth Avenue” and “Diamonds,” and Peter Martins’ “Barber Violin Concerto,” at first seemed like an odd mix of repertory give the ballets’ vastly different styles. But combining dance hall theatrics, strong American modern dance flavor, and of course one of the best examples

“Hallelujah Junction,” “Herman Schmerman,” “The Exchange,” “Concerto DSCH”
New York City Ballet
David H. Koch Theater
New York, NY
April 24, 2019

One of the most exciting things about New York City Ballet as a company is the sheer number of new choreographic works it manages to usher into the world season after season.  That it has whole programs devoted to 21^st century choreographers is a testament to that, and those tend to be my favorite evenings

“Significant Strangers,” “Counterpoint,” “Blind Revelry”
Tom Gold Dance
The Kaye Playhouse at Hunter College
New York, NY
April 3, 2019

The spring program by Tom Gold Dance at The Kaye Playhouse at Hunter College, lasting only two days, was brief but choreogra- phically engaging. Tom Gold’s three works selected for the evening presented whimsical partnerships with the world premiere of “Significant Strangers,” theater with the New York premiere of last year’s dramatic “Blind Revelry,” and distinctly more modern

“Serenade,” “Mozartiana,” “Tschaikovsky Piano Concerto No. 2”
New York City Ballet
David H. Koch Theater
New York, NY
January 26, 2019 (matinee)

You cannot go wrong with the music of Peter Ilyich Tchaikovsky or the choreography of George Balanchine, and so in some ways New York City Ballet’s “All Tschaikovsky/ Balanchine” program, a fairly regular staple of the company’s seasons, was set up for success. The many debuts in two of the bill’s works wouldn’t have

“Estrogen/Genius,” “Distant Kin,” “North Star,” “Mudan 175/39”
Garth Fagan Dance
The Joyce Theater
New York, NY
November 2, 2018

Garth Fagan Dance returned to the Joyce Theater this fall for less than a week, but was determined to make the most of the appearance. Each night’s program presented the company’s two new works, Garth Fagan’s “The North Star,” which was a celebration of the life of Frederick Douglass, and Norwood Pennewell’s “Distant Kin,” so

“Reclamation Map,” “Balamouk,” “Midnight Raga,” “The Crane Calling (exerpt)”
Fall For Dance Festival – Program 3
Tayeh Dance with Heather Christian, Dance Theatre of Harlem, Nederlands Dans Theater 2, National Ballet of China
New York City Center
New York, NY
October 5, 2018

In the middle of this year’s Fall For Dance Festival, Program 3 was an assembly of all premieres – two of the works were new to the U.S. audience, the other two altogether new creations. It may

“Bach Cello Suites,” “Dances of Isadora Duncan – A Solo Tribute,” “Bzzz,” “The Barbarian Nights, or First Dawns of the World (excerpt)”
Fall For Dance Festival
Boston Ballet, Sara Mearns, Caleb Teicher & Company and Cie Hervé Koubi
New York City Center
New York, NY
October 1, 2018

Perhaps the best attribute of the Fall For Dance Festival, this year in its 15^th season, is its ability to expose viewers to works and artists they may not otherwise see

“Embattled Garden,” “Histoire,” “The Legend of Ten”
Martha Graham Dance Company
New York City Center
New York, NY
April 11, 2018

Martha Graham Dance Company opened its season at New York City Center by reaffirming its identity as a troupe of multitalented dancers that may have Graham in their hearts, but whose bodies belong in a whole range of diverse choreographies. The opening night gala program offered an expertly danced world premiere by Lucinda Childs called “Histoire,” a company premiere