New York City Ballet
"Paquita", "In the Night", "Symphony in Three Movements"
New York City Ballet
David H. Koch Theater
Lincoln Center
New York, New York
February 7, 2025
The New York City Ballet fielded a completely new cast of Ratmansky’s new version of Petipa’s “Paquita”, showing yet again, how rich the company currently is. It was followed by Robbins’ “In the Night” with yet more debuts, and closed with Balanchine’s majestic “Symphony in Three Movements”.
Allegra
New York City Ballet
"Paquita", "In the Night", "Symphony in Three Movements"
New York City Ballet
David H. Koch Theater
Lincoln Center
New York, New York
February 6, 2025
"Paquita", Alexei Ratmansky's new ballet, was to have been danced as the middle ballet, but, due to an injury, this evening’s program had been rearranged, and the program opened with the main attraction. Unity Phelan, who was already dancing in the first two ballets, had to replace Ashley Laracey in “Symphony
New York City Ballet
"Scotch Symphony", "Sylvia: Pas de Deux", "Firebird"
New York City Ballet
David H. Koch Theater
Lincoln Center
New York, New York
February 5, 2025
In her gracious introductory speech to the evening’s program, Wendy Whelan honored Maria Tallchief, born 100 years ago. Balanchine choreographed the three ballets performed, “Scotch Symphony”, “ “Sylvia Pas de Deux”, and “Firebird”, for her. These works showed her impressive range, from the lyrical “Scotch Symphony”, the rigorously classical “Sylvia”
New York City Ballet
"Dances Concertantes", "The Cage", "Concertino", "Stravinsky Violin Concerto"
New York City Ballet
David H. Koch Theater
Lincoln Center
New York, New York
January 24, 2025
The evening featured four ballets set to Stravinsky, two by Balanchine (“Dances Concertantes” and “Stravinsky Violin Concerto”) and two by Robbins (“The Cage” and “Concertino”). Though they shared the same composer, the ballets were all different, and it made for a varied evening.
“Dances Concertantes” started life in 1944 for the
New York City Ballet
"Concerto Barocco", "Allegro Brillante", "Brahms-Schoenberg Quartet"
New York City Ballet
David H. Koch Theater
Lincoln Center
New York, New York
January 23, 2025
This all-Balanchine evening showed off three ballets, each with its own distinctive flavor; “Concerto Barocco” has a luminous white and black simplicity, “Allegro Brillante” is a bright and golden celebration of classical technique, and “Brahms-Schoenberg Quartet” with its haunted-ballroom mauve setting, is an elegiac valentine to a lost (and somewhat imaginary) world.
New York City Ballet
"The Nutcracker"
New York City Ballet
David H. Koch Theater
Lincoln Center
New York, New York
November 29, 2024
New York City Ballet’s version of “The Nutcracker” is a straightforward, uncomplicated story which eschews any subtext about good and evil; it is a timeless and magical recreation of the childhood most of us dreamed about having, with parties, presents, and good cheer. And of course, good dancing, especially in the second act, and the opening night was
New York City Ballet
"Mozartiana", "Monumentum pro Gesualdo", "Movements for Piano and Orchestra", "Concerto DSCH"
New York City Ballet
David H. Koch Theater
Lincoln Center
New York, New York
October 8, 2024
This exciting program, called by the Marketing Department simply “Balanchine and Ratmansky”, does not need any other description to entice the viewer. In addition, it had one of the most anticipated debuts of the season, as the tall and lovely Mira Nadon danced “Mozartiana”, the final ballet Balanchine created for
New York City Ballet
"Coppélia"
New York City Ballet
David H. Koch Theater
Lincoln Center
New York, New York
October 5 evening, 2024
NYCB has scheduled “Coppélia” over successive weekends, a marketing triumph, it seems, for the theater has been packed (even the fifth ring was open for this performance), filled with excited families; the children especially loved the shivering knees in Act II. But for all its rollicking humor, “Coppélia” exists in a village of elegant, sophisticated dancers, and few City
New York City Ballet
"Mozartiana", "Monumentum pro Gesualdo", "Movements for Piano and Orchestra", "Concerto DSCH"
New York City Ballet
David H. Koch Theater
Lincoln Center
New York, New York
October 4, 2024
The four ballets, three by Balanchine and one by Alexei Ratmansky, on this program were all abstract, yet each one had a distinctive flavor and emotional resonance; plotless yet nuanced, they all echoed and amplified their scores. Any story or even hint of narrative was up to the viewer to provide, yet
New York City Ballet
"Coppélia"
New York City Ballet
David H. Koch Theater
Lincoln Center
New York, New York
September 29, 2024
About twenty years ago I saw Megan Fairchild, then a new member of the corps, dance one of Swanilda’s friends. She was completely absorbed in the ballet, eyes wide, listening carefully to the wheat ear, watching Swanilda’s reaction, and sharing in her disappointment. “There’s our new Swanilda” my seat mate said to me, and indeed
New York City Ballet
"Divertimento from 'Le Basier de la Fée'", "Each in His Own Time", "This Bitter Earth", "The Four Seasons"
New York City Ballet
David H. Koch Theater
Lincoln Center
New York, New York
September 21, 2024
This somewhat oddly constructed program opened with a jolt: the astringent and fundamentally pessimistic “Divertimento from ‘Le Baiser de la Fée”, Balanchine’s abstraction of Hans Christian Andersen’s harrowing story “The Ice Maiden” is a rather heavy opening work. Two sentimental pas de deux
New York City Ballet
"Tschaikovsky Piano Concerto No. 2", "Duo Concertant", Glass Pieces"
New York City Ballet
David H. Koch Theater
Lincoln Center
New York, New York
September 17, 2024
NYCB’s opening night, called “Masters at Work” featured ballets by Balanchine and Robbins and could have been called “Masters at Play”, since the choreography (and the dancing) looked effortless, as if it just poured out of these masters while listening to the music. The oldest work, “Tschaikovsky Piano Concerto No. 2”