American Ballet Theatre

Mr. ABT

American Ballet Theatre

Mr. ABT


"Giselle"
American Ballet Theatre
Metropolitan Opera House
New York, New York
May 30, 2017


ABT has produced some outstanding "Giselles" this season, but the Wednesday night performance celebrating Marcelo Gomes' twenty years at ABT was extra-special, culminating in emotional curtain calls where the audience and the company thanked Gomes for so many years of committed, generous, dramatic, as well as comic, performances. Though he has given up some roles (I especially miss his noble but flawed Solor and his

By Mary Cargill
To the Cottage Born

American Ballet Theatre

To the Cottage Born


"Giselle"
American Ballet Theatre
Metropolitan Opera House
Lincoln Center
May 27, 2017, matinee


The Saturday matinee of "Giselle" was a mini-festival of debuts, as all the leads made their first New York appearances in the ballet; Sarah Lane as the doomed heroine, Daniil Simkin as Albrecht, Christine Shevchenko as Myrta, and Craig Salstein as Hilarion. None showed any hint of nerves and all gave strong, detailed, and moving performances in one of ABT's most durable classical productions.  

By Mary Cargill
What the Doctor Ordered

American Ballet Theatre

What the Doctor Ordered


"Whipped Cream"
American Ballet Theatre
Metropolitan Opera House
New York, New York
May 24, 2017


In a recent interview, Alexei Ratmansky said that his new ballet was modeled after the nineteenth century balletféerie with its elaborate processions and spectacular theatrical effects. Petipa's "The Sleeping Beauty" is of course one of the most famous of these and when asked if his work reconstructing this ballet influenced "Whipped Cream" he agreed emphatically. Like "The Sleeping Beauty" "Whipped

By Mary Cargill
Fouetté Fever

American Ballet Theatre

Fouetté Fever


"Don Quixote"
American Ballet Theatre
Metropolitan Opera House
New York, New York
May 17, 2017, matinee
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"Don Quixote" will probably never appear on anyone's list of all-time great ballets, but it hasn't survived for nearly 150 years only on the strength of its gala-worthy pas de deux with those applause-generating fouettés. The evergreen comedy of a spunky girl who outwits a greedy parent to find true love has, underneath the frivolity, a real

By Mary Cargill