American Ballet Theatre

Till We Meet Again

American Ballet Theatre

Till We Meet Again


“Have We Met?!,” “Serenade after Plato’s Symposium,” “Theme and Variations”
American Ballet Theatre
David H. Koch Theater
New York, NY
October 30, 2025


For one of the final programs of its fall season, American Ballet Theatre presented a study in contrasts: the world premiere of Juliano Nunes's "Have We Met?!" explored parallel love stories across a century, while George Balanchine's "Theme and Variations" reminded us what timeless classicism looks like. Sandwiched between them, Alexei Ratmansky's 2016 "Serenade after Plato's

By Marianne Adams
Wisps of Fortune

American Ballet Theatre

Wisps of Fortune


“The Kingdom of the Shades,” “Le Grand Pas de Deux,” “Rhapsody (Pas de Deux),” “The Sleeping Beauty, Act III”
American Ballet Theatre
David H. Koch Theater
New York, NY
October 28, 2025


Sometimes fortune smiles on an audience. The second version of ABT’s “Classics to the Contemporary” program, which replaced the middle act pieces with Christian Spuck’s “Le Grand Pas de Deux” and an excerpt from Frederick Ashton’s “Rhapsody,” had a last-minute replacement for the opening act’

By Marianne Adams
Strong, Feminine Lead

American Ballet Theatre

Strong, Feminine Lead


“Sylvia”
American Ballet Theatre
Metropolitan Opera House
New York, NY
July 10, 2025


“Sylvia” was American Ballet Theatre’s marquee offering this season, at least if you were trying to draw a conclusion from the company’s marketing and the sheer saturation of this ballet across the media.  Presented by ABT for the first time in almost a decade, this Frederick Ashton ballet had many debuts, some misses, and a truly mesmerizing partnership in Chloe Misseldine as Sylvia and

By Marianne Adams