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Lest the Future Be in the Past

New York City Ballet

Lest the Future Be in the Past


“Voices,” “Composer’s Holiday,” “Herman Schmerman Pas de Deux,” “Foreseeable Future”
New York City Ballet
David H. Koch Theater
New York, NY
October 10, 2025


There is no such thing as too much new dance, but that does not always lessen one’s longing for the old. For its last program of the fall season, New York City Ballet presented three works from the last decade, including a premiere from its Fall Gala this season by Jamar Roberts, and William

By Marianne Adams
New Jamar Roberts at NYCB

New Jamar Roberts at NYCB


“Forseeable Future”
New York City Ballet
David H. Koch Theater
New York, NY
October 9, 2025


Jamar Roberts is an American modern dance choreographer, associated most often with Alvin Ailey and his new work for City Ballet, entitled “Forseeable Future” is entirely true to that tradition.  It’s a theater piece by a ballet company and in no way dependent on classical dance.  Neither too bad nor too good, not unpleasant to watch, physically broad in

By Michael Popkin
Anchored Range, Off-Center

Anchored Range, Off-Center


“Confetti,” “Valentine,” “Sea Shadow,” “Light Rain”
Arpino Dance Festival, Program 2
The Joyce Theater
New York, NY
October 7, 2025


If there was one overarching theme of the Arpino Dance Festival, particularly in the second program, it was the choreographer’s unapologetic commitment to experimentation and entertainment. That such a vision could materialize on the Joyce's intimate stage, and given the participating dancers' complex schedules and the festival's logistical demands, is a testament to Arpino Foundation’s leadership’

By Marianne Adams
Looking Forward

New York City Ballet

Looking Forward


"Voices", "Composer's Holiday", "Herman Scherman Pas de Deux", "Forseeable Future"
New York City Ballet
David H. Koch Theater
Lincoln Center
New York, New York
October 9, 2025


The current City Ballet practice of programming ballets by themes meant that the evening, called “Contemporary Choreography I”, had no tutus, limited point shoes, fantastic dancing, and a gradually diminishing audience.  Contemporary, in this case, ranged from 1993 (William Forsythe’s “Herman Schmerman pas de deux”) to yesterday (Jamar Roberts’ “Foreseeable

By Mary Cargill
Colorful Assorted Parts

Colorful Assorted Parts


“Signs,” “Red Angels,” “Zakuski,” “Heatscape”
New York City Ballet
David H. Koch Theater
New York, NY
October 4, 2025


Although the program was titled Eclectic NYCB, the combination of “Signs,” “Red Angels,” “Zakuski,” and a new to the company this season Justin Peck ballet – “Heatscape” set to Bohuslav Martinů’s music – registered more as an assortment of stripped-down, thematically minimalist styles than an eclectic curation.  The takeaway: this type of dance is comfort-territory for the company, even

By Marianne Adams
The Zah! Returns

The Zah! Returns


“Confetti,” “L’air d’Esprit,” “Round of Angels,” “Birthday Variations”
Arpino Dance Festival, Program 1
The Joyce Theater
New York, NY
October 1, 2025


Two years after Gerald Arpino’s centennial celebration, New York audiences got a chance to delight in the works of this co-founder of The Joffrey Ballet.  Though the company he helped build decamped to Chicago decades ago, the Arpino Dance Festival's opening program brought his distinctive spirit home through dancers assembled from companies

By Marianne Adams
Dances, Squared

New York City Ballet

Dances, Squared


“Square Dance”, “Episodes”, “Western Symphony”
New York City Ballet
David H. Koch Theater
Lincoln Center
New York, New York
September 20, 2025, matinee


New York City Ballet’s second all-Balanchine program of the Fall season showed two variations on bouncy American square dances (the serenely classical “Square Dance” from 1957 and the raucous “Western Symphony” from 1954), sandwiching the austere, angular “Episodes” (1959) to selections of Anton Webern—something for everyone.  I do miss the old weekly smorgasbord

By Mary Cargill
Love, Found and Lost

New York City Ballet

Love, Found and Lost


“Donizetti Variations”, “Ballade”, “Swan Lake”
New York City Ballet
David H. Koch Theater
Lincoln Center
New York, New York
September 16, 2025


New York City Ballet opened its Fall season with an all Balanchine evening, showing three variations of love, both lost and found, all set to nineteenth-century music.  There were two standards, “Donizetti Variations” and “Swan Lake”, and one rare revival, the 1980 “Ballade”, set to “Ballade for Piano and Orchestra” by Gabriel Fauré.  “Donizetti Variations”

By Mary Cargill
Play On

Mark Morris Dance Group

Play On


"The Muir", "You've Got To Be Modernistic", "Silhouettes", "Mosaic and United" (Program A)
'"The Argument", "Northwest", "Ten Suggestions", "Going Away Party" (Program B)
Mark Morris Dance Group
The Joyce Theater
New York, NY 
July 16, 2025 (Program A) and July 24, 2025 (Program B)


Choreographers use music in many ways; it can provide atmosphere, humming along politely in the background, it can be a floor supporting the dancers, it can hint at a narrative, or it can weave

By Mary Cargill
Flightless Birds

Flightless Birds


“Swan Lake”
American Ballet Theatre
Metropolitan Opera House
New York, NY
July 17 and 19, 2025


In a move full of risk and opportunity, American Ballet Theatre bookended its Met season with two blocks of its production of “Swan Lake,” now in its 25th year.  The immortal classic, even in ABT’s flawed rendition, remains a tried-and-true blockbuster, but more crucially serves as an unforgiving vehicle for showcasing and assessing a company’s talent. While all

By Marianne Adams
Strong, Feminine Lead

American Ballet Theatre

Strong, Feminine Lead


“Sylvia”
American Ballet Theatre
Metropolitan Opera House
New York, NY
July 10, 2025


“Sylvia” was American Ballet Theatre’s marquee offering this season, at least if you were trying to draw a conclusion from the company’s marketing and the sheer saturation of this ballet across the media.  Presented by ABT for the first time in almost a decade, this Frederick Ashton ballet had many debuts, some misses, and a truly mesmerizing partnership in Chloe Misseldine as Sylvia and

By Marianne Adams