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Things to Come

American Ballet Theatre

Things to Come


"Harlequinade", "Praedicere", "AfterRite"
American Ballet Theatre
Metropolitan Opera House
Lincoln Center
New York, New York
May 21, 2018


ABT's Spring Gala included three premieres, two of coming attractions ("AfterRite" and excerpts from "Harlequin- ade") and one gala special (tap dancer Michelle Dorrance's "Praedicere").  "Harlequinade" is a reconstruction by Alexei Ratmansky of Petipa's 1900 ballet, based on the Stepanov notations now owned by Harvard, so it is technically not a premiere, but the Petipa version was last

By Mary Cargill
White Magic

American Ballet Theatre

White Magic


"Giselle"
American Ballet Theatre
Metropolitan Opera House
Lincoln Center
New York, New York
May 17, 2018


ABT's Giselle Week hooped along with a fine and moving, if not always technically perfect, performance by Stella Abrera and Cory Sterns, supported by an impressive debut by Katherine Williams as Myrta, a haunting mime scene by Nancy Raffa, and a sparkling and elegant peasant pas de deux by Skylar Brandt and Joseph Gorak.  

Abrera's Act I Giselle was fresh and

By Mary Cargill
Delicious Variety

Delicious Variety


“Wash/A Variety Show”
Vicky Shick
West End Theatre
New York, NY
May 12, 2018


I remember when a “variety show” was a jumble of generally mediocre acts crammed together in a program that tried to provide a little something for everyone. Vicky Shick’s wryly titled “Wash/A Variety Show” offers quite an alternative – a mash-up of marvelous solos and duets, lightly connected by an interlocked cast and Shick’s magical touch. Shick filled the cozy West End

By Martha Sherman
Love in a Cottage

American Ballet Theatre

Love in a Cottage


"Giselle"
American Ballet Theatre
Metropolitan Opera House
Lincoln Center
New York, New York
May 16, 2018, matinee


ABT has a solid version of the Romantic classic "Giselle", with beautiful, traditional designs which, even if the first grape was harvested in 1987, look vivid and fresh.  Though some of the stage business could be rethought (Bathilde's nose now almost scrapes the sky, eliminating the sad irony of the two girls sharing their love stories, and why, if all

By Mary Cargill
The Man in Her Life

American Ballet Theatre

The Man in Her Life


“Giselle”
American Ballet Theatre
Metropolitan Opera House
New York, New York
May 14, 2018

by Carol Pardo

copyright © 2018 by Carol Pardo

  The ballet "Giselle" is intended to be about its title character, a village girl who dies of a broken heart when she discovers that her beloved is a nobleman in commoner's clothing and betrothed to boot. Yet so great are her feelings for him that, from beyond the grave, she saves him from the Wilis,

By Carol Pardo
The Heart Has its Reasons

The Heart Has its Reasons


“Carousel”
The Imperial Theater
New York, New York
May 10, 2018


Any good production of “Carousel” is noteworthy and the current Broadway revival is better than good. Beautifully directed by Jack O’Brien, strongly cast, sung, and acted throughout, the new production appeals to a general Broadway audience. But with dances by Justin Peck, designs by Santo Loquasto, and appearances in major roles by New York City Ballet principal dancer Amar Ramasar and soloist Brittany Pollack, there’s particular interest

By Michael Popkin
Memories

Memories


"The Unsung", "The Body is a House Without Walls", "Querida Herida", "Missa Brevis"
Limón Dance Company
Joyce Theater
New York, New York
May 10, 2018


The Limón Dance Company opened its New York season with a program bookended by two powerful works by José Limón supporting two newer works, both of which sported interesting designs, committed dancers, and somewhat meandering choreography, which put Limón's focused, structured works into sharp relief.

Limón's "The Unsung" from 1970 is a memorial

By Mary Cargill
Dancing Into a New Decade

Dancing Into a New Decade


"Historias rotas" "The Reflective Surface" "Radical Impact"
AXIS Dance Company
Z Space
San Francisco, CA
May 4, 2018


AXIS Dance Company entered its fourth decade with a new staff and new dancers, six of them. Performing Radical Impact Tour at Z Space in San Francisco finally gave the company a decent-sized stage and good lighting possibilities. The program offered a world premiere by former company member Nadia Adame, “Historias rotas;” a reworked version of Amy Seiwert’s

By Rita Felciano
Taking it Easy

New York City Ballet

Taking it Easy


Taking it Easy

"The Four Seasons", "Circus Polka", "Easy", "A Suite of Dances", "Something to Dance About"
New York City Ballet
David H. Koch Theater
New York, New York
May 3, 2018


New York City Ballet's Spring gala celebrated Jerome Robbins' 100 birthday with three of his works, a premiere by Justin Peck, and a lavish compilation of Robbins' Broadway choreography.  Maria Kowroski introduced the evening with a gracious speech and reminded the audience that she is the

By Mary Cargill
Six Complete the Dozen

San Francisco Ballet

Six Complete the Dozen


Program C: "Bespoke" "Your Flesh Shall be a Great Poem" "Guernica"
Program D: "The Infinite Ocean" "Let's Begin at the End" "Bjork Ballet"
San Francisco Ballet
War Memorial Opera House
April 24 and 26, 2018


Program C. The third evening of unbound’s premieres felt like an example of the direction contemporary ballet is taking. It also probably offered at least one example that everyone could like in this program. Beautifully danced, each of the works

By Rita Felciano
An Intimate Evening of Ballet: Spotlight on Contemporary Female Choreographers

An Intimate Evening of Ballet: Spotlight on Contemporary Female Choreographers


“Under the Olive Tree (Excerpts),” “Echoe,” “Á Morgun,” “Space Between Words,” “Fractales”
Dimensions Dance Theatre of Miami 
South Miami Dade Cultural Arts Center (SMDCAC), Lab Theatre Cutler Bay, Florida
Saturday April 21st, 3:30pm


In the Fall of 2016, within months after announcing their retirement from Miami City Ballet, principal dancers Jennifer Kronenberg and Carlos Guerra formed Dimensions Dance Theatre of Miami bringing together Cuban classically trained dancers and former Miami City Ballet dancers versed in

By Sean Erwin
Statement Pieces

Statement Pieces


“Embattled Garden,” “Histoire,” “The Legend of Ten”
Martha Graham Dance Company
New York City Center
New York, NY
April 11, 2018


Martha Graham Dance Company opened its season at New York City Center by reaffirming its identity as a troupe of multitalented dancers that may have Graham in their hearts, but whose bodies belong in a whole range of diverse choreographies. The opening night gala program offered an expertly danced world premiere by Lucinda Childs called “Histoire,” a company premiere

By Marianne Adams