Latest

Westward Ho

New York City Ballet

Westward Ho


"Western Symphony", "The Unanswered Question", "Tarantella", "Stars and Stripes"
New York City Ballet
David H. Koch Theater
Lincoln Center
New York, New York
October 3, 2023


The bright, generally upbeat program of Balanchine works choreographed to American music was conducted with a brisk, precise, and infectious verve by Andrews Sills, who made the folk songs of “Western Symphony” and the familiar marches of John Philip Sousa used in “Stars and Stripes” seem irresistibly fresh and infectiously bouncy.

“Western Symphony”, for

By Mary Cargill
Variety Show

New York City Ballet

Variety Show


"Bourrée Fantasque", "Agon", "Slaughter on Tenth Avenue"
New York City Ballet
David H. Koch Theater
Lincoln Center
New York, New York
September 30, matinee 2023


There were a number of debuts in the strikingly varied all-Balanchine program which started with “Bourree Fantasque” a light-hearted and rarely seen bonne bouche, followed by the rigorous black and white “Agon” and ended with a trip to Broadway in “Slaughter on Tenth Avenue”.  “Bourree Fantasque”, choreographed in 1949 to music

By Mary Cargill
Easy Watching

New York City Ballet

Easy Watching


"Western Symphony", "The Unanswered Question", "Tarantella", "Stars and Stripes"
New York City Ballet
David H. Koch Theater
Lincoln Center
New York, New York
September 26, 2023


It is odd to program two upbeat Americana closing ballets on the same program, but the audience didn’t seem to mind the lack of variety; only the brief, darkly mysterious “The Unanswered Question” interrupted the bouncy evening.  There were several fine debuts, including Roman Mejia, NYCB’s boy wonder, exploding as

By Mary Cargill
Voices of Experience

New York City Ballet

Voices of Experience


Jewels
New York City Ballet
David H. Koch Theater
Lincoln Center
New York, New York
September 22, 2023


In the midst of the many debuts during NYCB’s week-long Jewelathon, NYCB assembled a veteran cast of ballerinas, with Ashley Bouder and Ashley Laracey in “Emeralds”, Megan Fairchild in “Rubies”, and Sara Mearns in “Diamonds”, and showed that experience can be just as exciting as debuts.  There were new faces among the men, though, with Chun Wai Chan

By Mary Cargill
More Jewels

New York City Ballet

More Jewels

"Jewels"
New York City Ballet
David H. Koch Theater
Lincoln Center
New York, New York
September 23, 2023 matinee


This performance of “Jewels” featured two sections with new faces (Indiana Woodward and Emile Gerrity in “Emeralds” and Unity Phelan in ”Diamonds” made their debuts earlier this week) and one familiar one, as Tiler Peck returned to “Rubies”.  “Emeralds” is the most fragile of the three and life, as they say, isn’t fair, and neither, unfortunately is ballet.

By Mary Cargill
Some New Jewels

New York City Ballet

Some New Jewels


"Jewels"
New York City Ballet
David H. Koch Theater
Lincoln Center
New York, New York
September 21, 2023


New York City Ballet’s all-Balanchine fall season opened with a week of the ever-popular “Jewels”, Balanchine’s salute to mood and style.  The lush romanticism of “Emeralds”, the American cockiness of “Rubies”, and the Russian grandeur of “Diamonds” call for much more than accurate steps, as the dancers need to convey an inner life; these works may

By Mary Cargill
Graham at the Pillow

Graham at the Pillow


“Errand into the Maze,” “Cave of the Heart,” “Cave”
Ted Shawn Theater
Jacob’s Pillow Dance Festival
Becket, Massachusetts
Friday, August 18, 2023


Martha Graham was at the height of her creative and performing powers when, in the 1940s, she began to make dances based on Greek myths. The Graham company offered two of these works at Jacob’s Pillow last week: "Errand into the Maze" (1947) and "Cave of the Heart" (1946). In keeping with the company’s current

By Gay Morris
Hope Prevails

Hope Prevails


“Hope Hunt and the Ascension into Lazarus”
“Navy Blue”
Oona Doherty/OD Works
Ted Shawn Theater
Jacob’s Pillow Dance Festival
Becket, Massachusetts
Sunday, July 30, 2023


To be honest, I was a little afraid of Oona Doherty. The press materials sent out by Jacob’s Pillow, where Doherty’s company, Oona Doherty/OD Works, performed last week, made her sound angry and aggressive. Who needs more negativity after two-plus years of pandemic trauma? But Doherty confounded expectations. To

By Gay Morris
Daisies Don't Lie

American Ballet Theatre

Daisies Don't Lie

"Giselle"
American Ballet Theatre
Metropolitan Opera House
Lincoln Center
New York, New York
July 4, 2023, matinee


ABT celebrated the 4th of July with their solid version of the Russo/French "Giselle", a ballet with few fireworks though with plenty of drama.  The two American leads, Devon Teuscher (in her New York debut) and Aran Bell, gave rich, detailed, and committed performances.  Teuscher, a tall, regal dancer, is not a typical Giselle (she is a stunning Myrta, a

By Mary Cargill
She's Alive!

American Ballet Theatre

She's Alive!


"Giselle"
American Ballet Theatre
Metropolitan Opera House
Lincoln Center
New York, New York
July 5, 2023 matinee


ABT's policy of giving as many principals as possible a shot at a role limits the opportunities to explore and to grow into a role--one or two performances of "Giselle" every few years makes it difficult to play around with different interpretations and also means that dancers get cast in roles for which they might not seem suited.  But this

By Mary Cargill
All Are Punished

All Are Punished


"Romeo and Juliet"
The National Ballet of Canada
Four Seasons Centre for the Performing Arts
Toronto, Canada
June 15, 2023


The last time Toronto audiences saw Alexei Ratmansky’s “Romeo and Juliet” was in March 2020. Just two days into the run, theatres in Toronto (and around the world) shut down when the pandemic hit. As the National Ballet of Canada gradually resumed live performances, the return to Ratmansky’s production marked a full circle moment. Dancers who have been

By Denise Sum
Food Fight

American Ballet Theatre

Food Fight


"Like Water For Chocolate"
American Ballet Theatre
Metropolitan Opera House
Lincoln Center
New York, New York
June 24, 2023, matinee


Balanchine once famously said that there are no mothers in law in ballet, but that is certainly not true, as his revered "The Sleeping Beauty" proves; no one has trouble figuring out the relation of the Queen to the Prince in Act III.  But his point that ballet is not suited to complex plots is certainly valid, and Christopher

By Mary Cargill