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Let There Be Light

Paul Taylor Dance Company

Let There Be Light


"Aureole, Vive La Loïe" "Recess", "Funny Papers"
Paul Taylor Dance Company
David H. Koch Theater
New York, New York
November 8, 2024

There was a lot of light and cheer in the evening’s dances, including the premiere of Jody Sperling’s homage to Loïe Fuller, an early modern dancer whose voluminous costumes and imaginative lighting inspired thousands of Art Nouveau lamps.  It opened with Paul Taylor’s “Aureole”, his light-filled vision of a world full of

By Mary Cargill
Throw The Book Out

Throw The Book Out


“Crime and Punishment”
American Ballet Theater
David H. Koch Theater
New York, NY
November 1, 2024


As a novel, Fyodor Dostoyevsky’s “Crime and Punishment” can be deeply intellectually rewarding or torturously challenging.  As a ballet, Helen Pickett’s adaptation, which premiered during ABT’s fall season, was solely the latter.  Set over twenty scenes to commissioned score from Isobel Waller-Bridge, the work felt like it was based on the CliffsNotes version of the book, not the

By Marianne Adams
The Spirit Lives

The Spirit Lives


"The Traitor", "Scherzo", "The Quake that Held Them All", "Two Ecstatic Themes", "Missa Brevis"
Limón Dance Company
Joyce Theater
New York, New York
November 6, 2024


The Limón Dance Company’s Joyce season presented a generous program, with revivals of three significant Limón works, “The Traitor”, “Scherzo”, and “Missa Brevis”, The first and final pieces emphasized Limón’s spiritual qualities and command of movement, while “Scherzo” was a delicious playful romp.  The company also offered a solo by

By Mary Cargill
The Heart of the Matter

American Ballet Theatre

The Heart of the Matter


"Crime and Punishment"
American Ballet Theatre
David H. Koch Theater
Lincoln Center
New York, New York
October 30, 2024


As Oscar Wilde wrote “all bad poetry is sincere”.  The same can be said for all forms of art, as unfortunately Helen Pickett’s “Crime and Punishment”, ABT’s new ballet, shows.  In a recent interview in the “New York Times” Pickett described her fascination with Dostoevsky’s famous novel and talked about her dedication in turning

By Mary Cargill
A Foggy Day

American Ballet Theatre

A Foggy Day


"The Kingdom of the Shades", "Sylvia Pas de Deux", "Pas de Deux from Great Galloping Gottschalk", "Neo", "In the Upper Room"
American Ballet Theatre
David H. Koch Theater
Lincoln Center
New York, New York
October 26, matinee 2024


The theater’s dry ice machine got a good workout during this matinee as three of the five works used the fog machine to great effect.  “The Kingdom of the Shades”, the white act from the full length nineteenth century

By Mary Cargill
The Human Element

American Ballet Theatre

The Human Element


"La Boutique", "Mercurial Son", "Études"
American Ballet Theatre
David H. Koch Theater
Lincoln Center
New York, New York
October 8, 2024


ABT opened it’s Fall season with two premieres, Gemma Bond’s “La Boutique” and Kyle Abraham’s “Mercurial Son”, and Harald Landers’ 1948 “Etudes”, a salute to classical ballet that ABT first danced in 1961. Though “Etudes” does have an homage to the grand nineteenth century ballets, especially the works of the Danish choreographer August Bournonville, and “La

By Mary Cargill
Change, One Dance Step At a Time

Change, One Dance Step At a Time


“Ará,” “Network,” “Toujours,” “Monarcas,” “Moss Anthology: Variation #5,” “This Bitter Earth,” “The Golden Turtle,” “Divinity in Paradox”
vildwerk.: “Time To Protect Our Planet” Program
Theatre of Museo del Barrio
New York, NY
October 15, 2024


Can dance save the world?  The question feels rhetorical, but vildwerk., a new foundation that seeks to raise global environmental awareness through dance, is on a mission to have it at least help. Featuring commissions from noteworthy choreographers of our time, such as Joshua

By Marianne Adams
Going Everywhere With Peck

Going Everywhere With Peck


“In Creases,” “Solo,” “Partita,” “Everywhere We Go”
New York City Ballet
David H. Koch Theater
New York, NY
October 12, 2024


Ten years is a long time to be doing anything, and when it comes to serving as Resident Choreographer and creating ballets at a rate of up to four per year for one company, it’s an especially admirable feat.  It was thus fitting that New York City Ballet celebrated Justin Peck’s big anniversary as a resident

By Marianne Adams
Women, Center Stage

Women, Center Stage


“Signs,” “Beneath the Tides,” “Concerto for Two Pianos”
New York City Ballet
David H. Koch Theater
New York, NY
October 11, 2024


In the Contemporary Choreography program of recent ballets by all female creators, including this season's world premiere, New York City Ballet presented rich dancing and a level of comfort with the material that is seldom seen with newer works. It may not have been the best choreography the company has in its repertory, but all three works

By Marianne Adams
Star Quality

New York City Ballet

Star Quality


"Mozartiana", "Monumentum pro Gesualdo", "Movements for Piano and Orchestra", "Concerto DSCH"
New York City Ballet
David H. Koch Theater
Lincoln Center
New York, New York
October 8, 2024


This exciting program, called by the Marketing Department simply “Balanchine and Ratmansky”, does not need any other description to entice the viewer.  In addition, it had one of the most anticipated debuts of the season, as the tall and lovely Mira Nadon danced “Mozartiana”, the final ballet Balanchine created for

By Mary Cargill
Let the Sun Shine In

New York City Ballet

Let the Sun Shine In


"Coppélia"
New York City Ballet
David H. Koch Theater
Lincoln Center
New York, New York
October 5 evening, 2024


NYCB has scheduled “Coppélia” over successive weekends, a marketing triumph, it seems, for the theater has been packed (even the fifth ring was open for this performance), filled with excited families; the children especially loved the shivering knees in Act II.  But for all its rollicking humor, “Coppélia” exists in a village of elegant, sophisticated dancers, and few City

By Mary Cargill