Mary Cargill

Greek Fire

American Ballet Theatre

Greek Fire


"Of Love and Rage"
American Ballet Theatre
Metropolitan Opera House
Lincoln Center
New York, New York
June 22, 2022, matinee


"Of Love and Rage", Alexei Ratmansky's newest work for ABT, may never become a second "Romeo and Juliet", able to fill the Met with its name alone, and audiences new to it will always have to study the synopsis with devoted attention. Nevertheless, with the luminous settings and elegant costumes (Jean-Marc Puissant), the robust Khachaturian score, and the many choreographic

By Mary Cargill
The Boys from Syracuse

New York City Ballet

The Boys from Syracuse


"Of Love and Rage"
American Ballet Theatre
Metropolitan Opera House
Lincoln Center
New York, New York
June 20, 2022


ABT's newest full-length ballet, by Alexei Ratmansky, is based on the world's oldest surviving novel, "Callirhoe" written in the First century A.D. by the Greek Chariton, described in a 1935 article as "a melodrama of no slight vigor".  It is certainly not a household story, but has elements of Romeo and Juliet (including a false death) and  the

By Mary Cargill
Getting to Know You

Paul Taylor Dance Company

Getting to Know You


Program A: "Fibers", "Images and Reflections", "Hope is a Thing with Feathers", "Profiles", "Aureole"
Program B: "Tracer", "Events II", "A Call for Softer Landings", "Profiles", "Aureole"
Paul Taylor Dance Company
Joyce Theater
New York, New York
June 17, 2022 (Program B) and June 18, 2022 matinee (Program A)


The Taylor Company's brief Joyce season was a history lesson of sorts, featuring several early Taylor works, some not seen since their original performances, and a possible glimpse of the future, with

By Mary Cargill
Sunny Side Up

American Ballet Theatre

Sunny Side Up


"Don Quixote"
American Ballet Theatre
Metropolitan Opera House
Lincoln Center
New York, New York
June 14, 2022


ABT's colorful version of the long-after Petipa ballet "Don Quixote" showcased three of its exciting younger dancers (Skylar Brandt at Kitri, Cassandra Trenary as Mercedes/Queen of the Dryads, and Gabe Stone Shayer as Espada), along with one of its most thrilling stars, Herman Cornejo, as Basilio.  Now 40, Cornejo is not going to be dancing Basilio for much longer and the

By Mary Cargill
Olé!

American Ballet Theatre

Olé!


"Don Quixote"
American Ballet Theatre
Metropolitan Opera House
Lincoln Center
New York, New York
June 15, 2022


"Don Quixote" as a ballet tends to ignore the poor fellow, using him as a hook to hang all those dances on, so it was surprising to see how the tall, lean Cy Doherty commanded attention in the opening scene, staring at the vision of Dulcinea with a befuddled but awestruck sincerity as his creaking, aged body reached for her in vain.  

By Mary Cargill
Appetizers

Appetizers


"Signs", "A Suite for Kay", "Circus Polka", "Symphony in C", fourth movement
School of American Ballet Workshop
Peter Jay Sharp Theater
Lincoln Center
New York, New York
June 4, 2022 matinee


This SAB program, attended by a packed and enthusiastic audience, was a bit more piecemeal than usual, with only one complete work, Giana Reisen's premiere "Signs".  ("Circus Polka", Jerome Robbins' charming bonne bouche for young dancers, hardly counts as a work.)  "A Suite for

By Mary Cargill
Geometry Lessons

New York City Ballet

Geometry Lessons


"Divertimento No. 15", "Afternoon of a Faun", "Allegro Brilliante", "The Four Temperaments"
New York City Ballet
David H. Koch Theater
Lincoln Center
New York, New York
April 27, 2022


The three Balanchine ballets in this program varied musically and sartorial (tutus for "Divertimento", chiffon for "Allegro" and leotards for 
"The Four Temperaments") but all three showed Balanchine's mastery of geometric shapes to create a hierarchy, with the corps and soloists weaving through the music and around the

By Mary Cargill
New Faces and Old Ballets

New York City Ballet

New Faces and Old Ballets



"The Four Temperaments", "Sonatine", "Black Swan Pas de Deux", "Swan Lake"
New York City Ballet
David H. Koch Theater
Lincoln Center
New York, New York
February 15 and February 19, matinee, 2022


These two performances featured debuts of many of City Ballet's talented young dancers.  Some, of course, were more successful than others but all of the dancers, new and old, looked comfortable, confident, and very well rehearsed, especially when dancing in pairs; the dancers seemed to be

By Mary Cargill
Tchaikovsky's Night

New York City Ballet

Tchaikovsky's Night


"Serenade", "Andantino", "Tschaikovsky Pas de Deux", "Swan Lake"
New York City Ballet
David H. Koch Theater
Lincoln Center
New York, New York
February 11, 2022


New York City Ballet had scheduled a marathon of Peter Martins' "Swan Lake", but like so many plans, it had to be revised, though echos of that eternal bird did remain in the programing.  The audience did get a full evening of Tchaikovsky's music, a pas de deux set to the music originally written

By Mary Cargill
Through the Years

New York City Ballet

Through the Years


"Mozartiana", "Rubies", "La Valse"
New York City Ballet
David H. Koch Theater
Lincoln Center
New York, New York
February 5, 2022, evening


City Ballet's all Balanchine program spanning 30 years, from the 1951 "La Valse" to the 1981 "Mozartiana" included snapshots of some of Balanchine's most distinctive ballerinas, Tanaquil Le Clercq ("La Valse"), Patricia McBride ("Rubies"), and Suzanne Farrell ("Mozartiana").  The current dancers, so different from the originals, need to both copy the steps and go beyond them to

By Mary Cargill
Birthday Offerings

New York City Ballet

Birthday Offerings


"Allegro Brillante", "La Source", "Firebird"
New York City Ballet
David H. Koch Theater
Lincoln Center
New York, New York
January 22, 2020


New York City Ballet celebrated Balanchine's 116th birthday with an all-Balanchine program which looked back to his (and ballet's) past.  The classical clarity of "Allegro Brilliante", the nineteenth century Parisian perfume of "La Source", and the Diaghilevish exoticism of "Firebird" are from different streams which flowed into his imagination.

"Allegro Brillante" opened with a flourish, with the

By Mary Cargill
The Legat Legacy

book review

The Legat Legacy


"The Legat Legacy" edited by Mindy Aloff.
University Press of Florida, 2020.


With its rich list of books on dance history, technique and memoirs,  The University Press of Florida has become the go to publisher for dance books.  This recent work, a reprinting of the 1939 "Ballet Russe: Memoirs of Nicolas Legat" and the 1977 "Heritage of a Ballet Master: Nicolas Legat" under the title "The Legat Legacy" is a welcome addition.

Caricature of Pauyl Dukes by Nicolas
By Mary Cargill