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Undressed or Corseted

book review

Undressed or Corseted


“Naked Truth – Viennese Modernism and the Body”
by Alys X. George
University of Chicago Press, 2020


Look carefully at the picture on the cover of this book. It shows a naked woman dancing. Her face is turned away so that only part of her profile appears. Her torso seems somewhat flattened, like that of an ancient Egyptian image. The arms and hands are held lightly away from  the body’s center of gravity. The lines of the long legs

By George Jackson
To Feast, Perchance to Dream

To Feast, Perchance to Dream


“Who Cares?” (excerpts), “to be seen,” “Concerto Six Twenty-Two” (duet), “Lady Swings the Blues”
Fall for Dance Festival – Program 2
New York City Center (Pre-recorded Digital Broadcast)
New York, NY
October 26, 2020


There may not have been many good news for the dance world this year, but the enduring holding of the Fall for Dance Festival, even if in an abbreviated, digital format, was certainly one of them.  Admittedly, in these trying times the starved audience

By Marianne Adams
Hybrid

book review

Hybrid


"Out Loud, a Memoir"
by Mark Morris and Wesley Stace
Penguin Press, New York, 2019


This book is a cross between an autobiography by dancer, choreographer, dance company director and opera stager Morris and a biography of Morris by novelist and recording artist Stace. I am fairly familiar with Morris's work but had not before encountered any of Stace's. The writing took place when Morris (born 29 August 1956) was 62 years old - mature but, presumably, not at

By George Jackson
Isadorables

Isadorables


Lori Belilove and the Isadora Duncan Dance Company 
Lori Belilove, Artistic Director 
Hayley Rose, Emily D'Angelo, Faith Kimberling, Caroline Yamada 
Untermyer Gardens, Yonkers NY
September 26, 2020




A flock of Monarch butterflies –- stopping for the night in the Hudson Valley on their way to Mexico – greeted early arrivals Saturday in Untermyer Park and Gardens, high above the river in Yonkers.  Their visit was unscheduled, but no more an accident than the gust of wind which

By Tom Phillips
Marius Petipa - The Emperor's Ballet Master

Marius Petipa - The Emperor's Ballet Master


"Marius Petipa - The Emperor's Ballet Master"
by Nadine Meisner
Oxford University Press, 2019


Our concept of classical ballet stems mostly from the work of Marius Petipa (1818 - 1910), a French choreographer resident principally in Russia at the end of the Czarist era. Until the publication of Meisner's biography, personal information in English about Petipa was somewhat scarce. As a reader of German, I relied on Eberhard Rebling's "Marius Petipa, Master of Classical Ballet", printed 1975 in

By George Jackson
Lifar Lied to Himself?

book review

Lifar Lied to Himself?


"The Fascist Turn in the Dance of Serge Lifar"
by Mark Franko
Oxford University Press, UK, 2020


Before tackling this exhaustive and exhausting book about the controversial Serge Lifar by Mark Franko, who is a widely published critic and a professor at the University of California's Santa Cruz campus, I suggest that readers review what is generally known about Lifar (1905 - 1986) as a dancer, choreographer, company director, commentator on dance and as a person. I encountered

By George Jackson
The Legat Legacy

book review

The Legat Legacy


"The Legat Legacy" edited by Mindy Aloff.
University Press of Florida, 2020.


With its rich list of books on dance history, technique and memoirs,  The University Press of Florida has become the go to publisher for dance books.  This recent work, a reprinting of the 1939 "Ballet Russe: Memoirs of Nicolas Legat" and the 1977 "Heritage of a Ballet Master: Nicolas Legat" under the title "The Legat Legacy" is a welcome addition.

Caricature of Pauyl Dukes by Nicolas
By Mary Cargill
The Family is Intact

The Family is Intact


Ephrat Asherie
Works & Process at the Guggenheim Livestream
New York, NY
April 26, 2020


Even before the coronavirus crisis closed live performance in New York City, the Guggenheim’s “Works & Process” series focused as much on artistic investigation as on finished performances. But artists now have new realms of challenge in their creative processes. Like many, Ephrat Asherie is trying not only to ensure her company can eventually come back to live performance, but also can keep

By Martha Sherman