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All That Glitters

All That Glitters


“Jewels”
The National Ballet of Canada
Four Seasons Centre for the Performing Arts
Toronto, Canada
June 15, 2024


It has been 18 years since the National Ballet of Canada performed George Balanchine’s “Jewels”, considered the first abstract three act ballet, in its entirety (they performed “Rubies” as part of a triple bill in 2016). As such, this run introduced a new generation of dancers to this popular work. This run features many exciting (and some less successful) debuts. Indeed,

By Denise Sum
Unto the Breach

Unto the Breach


"Swan Lake"
American Ballet Theatre
Metropolitan Opera House
New York, New York
June 27, 2014


The injury bug has hit ABT with a vengeance, and Friday's announced "Swan Lake" cast, Alina Cojocaru and Herman Cornejo, were replaced by Hee Seo and Roberto Bolle; Seo had already stepped in on Monday for the black act to replace Gillian Murphy, injured during the performance.  This gallantry meant the audience was already rooting for her, but her Odette/Odile is still very

By Mary Cargill
Going to Extremes

Going to Extremes



"Runes", Post Meridian", "Brandenburgs"
Paul Taylor Dance Company
Joyce Theater
New York, New York
June 26, 2024


Marketing has christened the Joyce’s week-long Taylor season as “Extreme Taylor”, a perfectly accurate designation since all of Taylor’s works are extreme challenges, requiring both physical strength and an internal fierceness strong enough to transport an audience. This program highlighted Taylor’s variety; “Runes” (1975) showed his fascination with communal rituals, the rarely seen “Post Meridian” (1965) featured his sly and

By Mary Cargill
Flamenco Depths, in Equal Measure

Flamenco Depths, in Equal Measure


“Equilibrio”
Flamenco Vivo Carlota Santana
The Joyce Theater
New York, NY
June 19, 2024


It can be too easy to forget just how many elements make up the tapestry of the flamenco genre, but Flamenco Vivo Carlota Santana company’s performance of Emilio Ochando’s new “Equilibrio” expertly brought the various strands into focus.  Conceived originally as a solo performance in 2020, Ochando expanded the COVID-19 pandemic creation to the whole company.  Infused with a few modern twists

By Marianne Adams
“Onegin,” By the Book

“Onegin,” By the Book


“Onegin”
American Ballet Theatre
Metropolitan Opera House
New York, NY
June 18 and June 19 (matinee), 2024


American Ballet Theatre boldly opened its 2024 season at the Metropolitan Opera House with John Cranko’s “Onegin.” With somewhat last-minute casting changes, the opening night honors fell on Christine Shevchenko and Cory Stearns as Tatiana and Onegin respectively, who danced with dedication; though it was the next day’s matinee performers, also a substitute cast, Chloe Misseldine and Thomas Forster, who brought

By Marianne Adams
All The Colors Fit For Stage

All The Colors Fit For Stage


“Law of Mosaics,” “This Bitter Earth,” “Herman Schmerman Pas de Deux,” “Love Letter (on shuffle)”
New York City Ballet
David H. Koch Theater
New York, NY
May 23, 2024


In its second of two programs featuring works by contemporary choreographers, New York City Ballet dazzled and dazed, leaning heavily on the quality of its dancers to bring forward the more vibrant elements of the presented ballets’ expressive palettes, both physical and emotional. The best of the evening – the absolutely devastating

By Marianne Adams
Those Were the Days

Those Were the Days


"Dances at a Gathering", "Brahms-Schoenberg Quartet"
New York City Ballet
David H. Koch Theater
Lincoln Center
New York, New York
May 12, 2024


The double bill of Jerome Robbins’ “Dances at a Gathering” and Balanchine’s “Brahms-Schoenberg Quartet” was a glimpse back at an idealized European past, where elegant youths wore colorful chiffon while dancing to Chopin and, in an idealized Vienna, beautiful and mysterious women enticed stalwart men while luscious Gypsies cavorted on the green.  Both ballets

By Mary Cargill
Pretty in Red, White, Black, and Yellow

Pretty in Red, White, Black, and Yellow


"Rubies", "Dig the Say", "Underneath, There is Light"
New York City Ballet
David H. Koch Theater
Lincoln Center
New York, New York
May 2, 2024


New York City Ballet’s Spring gala had one Balanchine, two premieres, three brief speeches, and no intermission and clocked in at a very efficient one and a half hours.  It opened with sparkling version of “Rubies”, in all its bright red glory, danced by the veterans Megan Fairchild and Anthony Huxley, with

By Mary Cargill
Back to the Future

Back to the Future


"Bourrée Fantasque", "The Steadfast Tin Soldier", "Errante", "Symphony in C"
New York City Ballet
David H. Koch Theater
Lincoln Center
New York, New York
April 24, 2024


The New York City Ballet opened it’s 75th Anniversary Spring season, subtitled “The Future”, with an all-Balanchine program of four ballets whose dates ranged from 1940’s (“Symphony in C”, 1947 and Bourrée Fantasque, 1949 ) to 1975 (“The Steadfast Tin Soldier” and “Errante”, the new name for “Tzigane”).  The future,

By Mary Cargill
A Trifecta of Premieres

A Trifecta of Premieres


"UtopiVerse", "islands", "Suite en Blanc"
The National Ballet of Canada
Four Seasons Centre for the Performing Arts
Toronto, Canada
March 20, 2024


The National Ballet of Canada’s winter triple bill featured three exciting premieres: a world premiere, a North American premiere and a Canadian premiere. Two of the ballets, “UtopiVerse” and "islands”, were in a contemporary style. In contrast, Serge Lifar’s 1943 showpiece “Suite en Blanc” provided the tutus, pointe shoes and classical bravura that many expect from

By Denise Sum