Latest

Welcome Back

Welcome Back


"Tschaikovsky Piano Concerto No. 2", "Duo Concertant", Glass Pieces"
New York City Ballet
David H. Koch Theater
Lincoln Center
New York, New York
September 17, 2024


NYCB’s opening night, called “Masters at Work” featured ballets by Balanchine and Robbins and could have been called “Masters at Play”, since the choreography (and the dancing) looked effortless, as if it just poured out of these masters while listening to the music.  The oldest work, “Tschaikovsky Piano Concerto No. 2”

By Mary Cargill
Kneading Drama

Kneading Drama


“Like Water for Chocolate”
American Ballet Theatre
Metropolitan Opera House
New York, NY
July 16, 2024


American Ballet Theatre ending its five-week season at the Metropolitan Opera House with Christopher Wheeldon’s “Like Water for Chocolate” seemed like an emblematic move committed to its determined new identity – a company of story ballets, new world-class choreographies and solid, home-grown dancing talent. It is an encouraging direction for the troupe, even if the ballet itself was not the most scrumptious dish ABT

By Marianne Adams
Start With a Blank Page

Start With a Blank Page


“Woolf Works”
American Ballet Theatre
Metropolitan Opera House
New York, NY
June 26, 2024


For its second week of the 2024 New York summer season, American Ballet Theatre stuck to the literary works theme, but with an unexpectedly modern, multi award-winning twist.  Created in 2015, Wayne McGregor’s “Woolf Works” is everything one would expect from him – highly physical, seemingly stripped-down yet loaded with meaning and detail, and pushing the boundaries of traditional ballet.  But it was also

By Marianne Adams
All That Glitters

All That Glitters


“Jewels”
The National Ballet of Canada
Four Seasons Centre for the Performing Arts
Toronto, Canada
June 15, 2024


It has been 18 years since the National Ballet of Canada performed George Balanchine’s “Jewels”, considered the first abstract three act ballet, in its entirety (they performed “Rubies” as part of a triple bill in 2016). As such, this run introduced a new generation of dancers to this popular work. This run features many exciting (and some less successful) debuts. Indeed,

By Denise Sum
Unto the Breach

Unto the Breach


"Swan Lake"
American Ballet Theatre
Metropolitan Opera House
New York, New York
June 27, 2014


The injury bug has hit ABT with a vengeance, and Friday's announced "Swan Lake" cast, Alina Cojocaru and Herman Cornejo, were replaced by Hee Seo and Roberto Bolle; Seo had already stepped in on Monday for the black act to replace Gillian Murphy, injured during the performance.  This gallantry meant the audience was already rooting for her, but her Odette/Odile is still very

By Mary Cargill
Going to Extremes

Going to Extremes



"Runes", Post Meridian", "Brandenburgs"
Paul Taylor Dance Company
Joyce Theater
New York, New York
June 26, 2024


Marketing has christened the Joyce’s week-long Taylor season as “Extreme Taylor”, a perfectly accurate designation since all of Taylor’s works are extreme challenges, requiring both physical strength and an internal fierceness strong enough to transport an audience. This program highlighted Taylor’s variety; “Runes” (1975) showed his fascination with communal rituals, the rarely seen “Post Meridian” (1965) featured his sly and

By Mary Cargill
Flamenco Depths, in Equal Measure

Flamenco Depths, in Equal Measure


“Equilibrio”
Flamenco Vivo Carlota Santana
The Joyce Theater
New York, NY
June 19, 2024


It can be too easy to forget just how many elements make up the tapestry of the flamenco genre, but Flamenco Vivo Carlota Santana company’s performance of Emilio Ochando’s new “Equilibrio” expertly brought the various strands into focus.  Conceived originally as a solo performance in 2020, Ochando expanded the COVID-19 pandemic creation to the whole company.  Infused with a few modern twists

By Marianne Adams
“Onegin,” By the Book

“Onegin,” By the Book


“Onegin”
American Ballet Theatre
Metropolitan Opera House
New York, NY
June 18 and June 19 (matinee), 2024


American Ballet Theatre boldly opened its 2024 season at the Metropolitan Opera House with John Cranko’s “Onegin.” With somewhat last-minute casting changes, the opening night honors fell on Christine Shevchenko and Cory Stearns as Tatiana and Onegin respectively, who danced with dedication; though it was the next day’s matinee performers, also a substitute cast, Chloe Misseldine and Thomas Forster, who brought

By Marianne Adams
All The Colors Fit For Stage

All The Colors Fit For Stage


“Law of Mosaics,” “This Bitter Earth,” “Herman Schmerman Pas de Deux,” “Love Letter (on shuffle)”
New York City Ballet
David H. Koch Theater
New York, NY
May 23, 2024


In its second of two programs featuring works by contemporary choreographers, New York City Ballet dazzled and dazed, leaning heavily on the quality of its dancers to bring forward the more vibrant elements of the presented ballets’ expressive palettes, both physical and emotional. The best of the evening – the absolutely devastating

By Marianne Adams