New York City Ballet

"Coppélia"
New York City Ballet
David H. Koch Theater
Lincoln Center
New York, New York
October 5 evening, 2024

NYCB has scheduled “Coppélia” over successive weekends, a marketing triumph, it seems, for the theater has been packed (even the fifth ring was open for this performance), filled with excited families; the children especially loved the shivering knees in Act II.  But for all its rollicking humor, “Coppélia” exists in a village of elegant, sophisticated dancers, and few City

"Mozartiana", "Monumentum pro Gesualdo", "Movements for Piano and Orchestra", "Concerto DSCH"
New York City Ballet
David H. Koch Theater
Lincoln Center
New York, New York
October 4, 2024

The four ballets, three by Balanchine and one by Alexei Ratmansky, on this program were all abstract, yet each one had a distinctive flavor and emotional resonance; plotless yet nuanced, they all echoed and amplified their scores. Any story or even hint of narrative was up to the viewer to provide, yet

"Coppélia"
New York City Ballet
David H. Koch Theater
Lincoln Center
New York, New York
September 29, 2024

About twenty years ago I saw Megan Fairchild, then a new member of the corps, dance one of Swanilda’s friends.  She was completely absorbed in the ballet, eyes wide, listening carefully to the wheat ear, watching Swanilda’s reaction, and sharing in her disappointment.  “There’s our new Swanilda” my seat mate said to me, and indeed

"Divertimento from 'Le Basier de la Fée'", "Each in His Own Time", "This Bitter Earth", "The Four Seasons"
New York City Ballet
David H. Koch Theater
Lincoln Center
New York, New York
September 21, 2024

This somewhat oddly constructed program opened with a jolt: the astringent and fundamentally pessimistic “Divertimento from ‘Le Baiser de la Fée”, Balanchine’s abstraction of Hans Christian Andersen’s harrowing story “The Ice Maiden” is a rather heavy opening work. Two sentimental pas de deux

"Tschaikovsky Piano Concerto No. 2", "Duo Concertant", Glass Pieces"
New York City Ballet
David H. Koch Theater
Lincoln Center
New York, New York
September 17, 2024

NYCB’s opening night, called “Masters at Work” featured ballets by Balanchine and Robbins and could have been called “Masters at Play”, since the choreography (and the dancing) looked effortless, as if it just poured out of these masters while listening to the music.  The oldest work, “Tschaikovsky Piano Concerto No. 2”

"A Midsummer Night's Dream"
New York City Ballet
David H. Koch Theater
Lincoln Center
New York, New York
May 29, 2024

"Dances at a Gathering", "Brahms-Schoenberg Quartet"
New York City Ballet
David H. Koch Theater
Lincoln Center
New York, New York
May 12, 2024

The double bill of Jerome Robbins’ “Dances at a Gathering” and Balanchine’s “Brahms-Schoenberg Quartet” was a glimpse back at an idealized European past, where elegant youths wore colorful chiffon while dancing to Chopin and, in an idealized Vienna, beautiful and mysterious women enticed stalwart men while luscious Gypsies cavorted on the green.  Both ballets

"Rubies", "Dig the Say", "Underneath, There is Light"
New York City Ballet
David H. Koch Theater
Lincoln Center
New York, New York
May 2, 2024

New York City Ballet’s Spring gala had one Balanchine, two premieres, three brief speeches, and no intermission and clocked in at a very efficient one and a half hours.  It opened with sparkling version of “Rubies”, in all its bright red glory, danced by the veterans Megan Fairchild and Anthony Huxley, with

"Bourrée Fantasque", "The Steadfast Tin Soldier", "Errante", "Symphony in C"
New York City Ballet
David H. Koch Theater
Lincoln Center
New York, New York
April 24, 2024

The New York City Ballet opened it’s 75th Anniversary Spring season, subtitled “The Future”, with an all-Balanchine program of four ballets whose dates ranged from 1940’s (“Symphony in C”, 1947 and Bourrée Fantasque, 1949 ) to 1975 (“The Steadfast Tin Soldier” and “Errante”, the new name for “Tzigane”).  The future,

"The Four Temperaments", "Liebeslieder Walzer"
New York City Ballet
David H. Koch Theater
Lincoln Center
New York, New York
February 16, 2024

This program, made up of two of Balanchine’s finest ballets, had several important debuts; the company’s lower ranks are full of fine and interesting dancers and it’s encouraging that so many are getting opportunities.  These ballets, though, need not only fine dancers, but dancers with style, imagination, and depth, characteristics that usually

"Opus 19/The Dreamer", "Solitude", "Symphony in Three Movements"
New York City Ballet
David H. Koch Theater
Lincoln Center
New York, New York
February 15, 2024

“Solitude”, the first ballet Alexei Ratmansky has choreographed since becoming New York City Ballet’s Artist in Residence, is dedicated “to the children of Ukraine, victims of the war”; Marina Harss, writing in the New York Times about the creation of the work, explained that the inspiration came from a photograph of a father

Something for Everyone

"Ballo della Regina", "In a Landscape", "Hallelujah Junction", "The Concert"
New York City Ballet
David H. Koch Theater
Lincoln Center
New York, New York
February 9, 2024

This varied program began with Balanchine’s “Ballo della Regina”, a luscious soap bubble set to Verdi, continued with two more astringent ballets, a revival of Albert Evans’ “In a Landscape” to John Cage followed by Peter Martins’ high energy “Hallelujah Junction” to John Adams, and ended with Jerome Robbins’