Mary Cargill

The Human Element

The Human Element


"La Boutique", "Mercurial Son", "Études"
American Ballet Theatre
David H. Koch Theater
Lincoln Center
New York, New York
October 8, 2024


ABT opened it’s Fall season with two premieres, Gemma Bond’s “La Boutique” and Kyle Abraham’s “Mercurial Son”, and Harald Landers’ 1948 “Etudes”, a salute to classical ballet that ABT first danced in 1961. Though “Etudes” does have an homage to the grand nineteenth century ballets, especially the works of the Danish choreographer August Bournonville, and “La

By Mary Cargill
Star Quality

Star Quality


"Mozartiana", "Monumentum pro Gesualdo", "Movements for Piano and Orchestra", "Concerto DSCH"
New York City Ballet
David H. Koch Theater
Lincoln Center
New York, New York
October 8, 2024


This exciting program, called by the Marketing Department simply “Balanchine and Ratmansky”, does not need any other description to entice the viewer.  In addition, it had one of the most anticipated debuts of the season, as the tall and lovely Mira Nadon danced “Mozartiana”, the final ballet Balanchine created for

By Mary Cargill
Let the Sun Shine In

Let the Sun Shine In


"Coppélia"
New York City Ballet
David H. Koch Theater
Lincoln Center
New York, New York
October 5 evening, 2024


NYCB has scheduled “Coppélia” over successive weekends, a marketing triumph, it seems, for the theater has been packed (even the fifth ring was open for this performance), filled with excited families; the children especially loved the shivering knees in Act II.  But for all its rollicking humor, “Coppélia” lexists in a village of elegant, sophisticated dancers, and few City

By Mary Cargill
It's the Music

It's the Music



"Mozartiana", "Monumentum pro Gesualdo", "Movements for Piano and Orchestra", "Concerto DSCH"
New York City Ballet
David H. Koch Theater
Lincoln Center
New York, New York
October 4, 2024


The four ballets, three by Balanchine and one by Alexei Ratmansky, on this program were all abstract, yet each one had a distinctive flavor and emotional resonance; plotless yet nuanced, they all echoed and amplified their scores. Any story or even hint of narrative was up to the viewer to provide, yet

By Mary Cargill
Uneasy Combinations

Uneasy Combinations


"Divertimento from 'Le Basier de la Fée'", "Each in His Own Time", "This Bitter Earth", "The Four Seasons"
New York City Ballet
David H. Koch Theater
Lincoln Center
New York, New York
September 21, 2024


This somewhat oddly constructed program opened with a jolt: the astringent and fundamentally pessimistic “Divertimento from ‘Le Baiser de la Fée”, Balanchine’s abstraction of Hans Christian Andersen’s harrowing story “The Ice Maiden” is a rather heavy opening work. Two sentimental pas de deux

By Mary Cargill
Welcome Back

Welcome Back


"Tschaikovsky Piano Concerto No. 2", "Duo Concertant", Glass Pieces"
New York City Ballet
David H. Koch Theater
Lincoln Center
New York, New York
September 17, 2024


NYCB’s opening night, called “Masters at Work” featured ballets by Balanchine and Robbins and could have been called “Masters at Play”, since the choreography (and the dancing) looked effortless, as if it just poured out of these masters while listening to the music.  The oldest work, “Tschaikovsky Piano Concerto No. 2”

By Mary Cargill
Unto the Breach

Unto the Breach


"Swan Lake"
American Ballet Theatre
Metropolitan Opera House
New York, New York
June 27, 2014


The injury bug has hit ABT with a vengeance, and Friday's announced "Swan Lake" cast, Alina Cojocaru and Herman Cornejo, were replaced by Hee Seo and Roberto Bolle; Seo had already stepped in on Monday for the black act to replace Gillian Murphy, injured during the performance.  This gallantry meant the audience was already rooting for her, but her Odette/Odile is still very

By Mary Cargill
Going to Extremes

Going to Extremes



"Runes", Post Meridian", "Brandenburgs"
Paul Taylor Dance Company
Joyce Theater
New York, New York
June 26, 2024


Marketing has christened the Joyce’s week-long Taylor season as “Extreme Taylor”, a perfectly accurate designation since all of Taylor’s works are extreme challenges, requiring both physical strength and an internal fierceness strong enough to transport an audience. This program highlighted Taylor’s variety; “Runes” (1975) showed his fascination with communal rituals, the rarely seen “Post Meridian” (1965) featured his sly and

By Mary Cargill