Mary Cargill

Shallow Waters

New York City Ballet

Shallow Waters


Shallow Waters

"Swan Lake"
New York City Ballet
David H. Koch Theater
Lincoln Center
New York, New York
February 22, 2025 matinee


Peter Martins’ unique take on the ever-popular “Swan Lake” returned for a two-week visit, its first since 2020, with all of its peculiarities intact; the day-glow costumes of Act I, the drab scenery, and the general dramatic confusion were all on display.  It also displayed a number of debuts, most notably a new Swan Queen in

By Mary Cargill
Sublime and Ridiculous

New York City Ballet

Sublime and Ridiculous


"Divertimento No. 15", "Tschaikovsky Pas de Deux", "Carnival of the Animals" 
New York City Ballet
David H. Koch Theater
Lincoln Center
New York, New York
February 14, 2025


This evening’s performance began with two of Balanchine’s gloriously classical works, the celestial “Divertimento No. 15” to Mozart and the  whipped cream “Tschaikovsky Pas de Deux” and ended with anthropomorphic animals of Christopher Wheeldon’s “Carnival of the Animals”; both the opening and closing ballets were stuffed

By Mary Cargill
A Fond Farewell

New York City Ballet

A Fond Farewell


"Scotch Symphony", "Sylvia: Pas de Deux", "Firebird"
New York City Ballet
David H. Koch Theater
Lincoln Center
New York, New York
February 13, 2025


In January 2001, I was at a matinee performance of NYCB, expecting a pleasant afternoon watching the light, spun-sugar of “La Source” when the soloist bounded on with the most exuberant and musically incisive heel-to-the-head leaps I had ever seen.  The entire audience gasped and leant forward as if pulled by a magnetic

By Mary Cargill
Another Trip to Spain

New York City Ballet

Another Trip to Spain


"Paquita", "In the Night", "Symphony in Three Movements"
New York City Ballet
David H. Koch Theater
Lincoln Center
New York, New York
February 7, 2025


The New York City Ballet fielded a completely new cast of Ratmansky’s new version of Petipa’s “Paquita”, showing yet again, how rich the company currently is.  It was followed by Robbins’ “In the Night” with yet more debuts, and closed with Balanchine’s majestic “Symphony in Three Movements”.  

Allegra

By Mary Cargill
In with the Old

New York City Ballet

In with the Old



"Paquita", "In the Night", "Symphony in Three Movements"
New York City Ballet
David H. Koch Theater
Lincoln Center
New York, New York
February 6, 2025


 "Paquita", Alexei Ratmansky's new ballet, was to have been danced as the middle ballet, but, due to an injury, this evening’s program had been rearranged, and the program opened with the main attraction.  Unity Phelan, who was already dancing in the first two ballets, had to replace Ashley Laracey in “Symphony in

By Mary Cargill
For Maria

New York City Ballet

For Maria


"Scotch Symphony", "Sylvia: Pas de Deux", "Firebird"
New York City Ballet
David H. Koch Theater
Lincoln Center
New York, New York
February 5, 2025


In her gracious introductory speech to the evening’s program, Wendy Whelan honored Maria Tallchief, born 100 years ago.  Balanchine choreographed the three ballets performed, “Scotch Symphony”, “ “Sylvia Pas de Deux”, and “Firebird”, for her.  These works showed her impressive range,  from the lyrical “Scotch Symphony”, the rigorously classical “Sylvia”

By Mary Cargill
Stravinsky Times Four

New York City Ballet

Stravinsky Times Four


"Dances Concertantes", "The Cage", "Concertino", "Stravinsky Violin Concerto"
New York City Ballet
David H. Koch Theater
Lincoln Center
New York, New York
January 24, 2025


The evening featured four ballets set to Stravinsky, two by Balanchine (“Dances Concertantes” and “Stravinsky Violin Concerto”) and two by Robbins (“The Cage” and “Concertino”).  Though they shared the same composer, the ballets were all different, and it made for a varied evening.  

“Dances Concertantes” started life in 1944 for the

By Mary Cargill
Color Coded

New York City Ballet

Color Coded


"Concerto Barocco", "Allegro Brillante", "Brahms-Schoenberg Quartet"
New York City Ballet
David H. Koch Theater
Lincoln Center
New York, New York
January 23, 2025


This all-Balanchine evening showed off three ballets, each with its own distinctive flavor; “Concerto Barocco” has a luminous white and black simplicity, “Allegro Brillante” is a bright and golden celebration of classical technique, and “Brahms-Schoenberg Quartet” with its haunted-ballroom mauve setting, is an elegiac valentine to a lost (and somewhat imaginary) world.  There were two

By Mary Cargill
Taylor Cubed

Paul Taylor Dance Company

Taylor Cubed


"Arden Court", "The Word", "Syzygy"
Paul Taylor Dance Company
David H. Koch Theater
New York, New York
November 21, 2024


This all-Taylor program included works showing some of Taylor’s frequent  themes, from the bright, cheerful “Arden Court”, through the dark and somber “The Word”, and finishing with the bursting energy of “Syzygy”, all danced with an impressive power.  The works, for all their differences, had Taylor’s confident and imaginative use of structure to reinforce

By Mary Cargill
Keeping it Simple

New York City Ballet

Keeping it Simple


"The Nutcracker"
New York City Ballet
David H. Koch Theater
Lincoln Center
New York, New York
November 29, 2024


New York City Ballet’s version of “The Nutcracker” is a straightforward, uncomplicated story which eschews any subtext about good and evil; it is a timeless and magical recreation of the childhood most of us dreamed about having, with parties, presents, and good cheer.  And of course, good dancing, especially in the second act, and the opening night was

By Mary Cargill
Let There Be Light

Paul Taylor Dance Company

Let There Be Light


"Aureole, Vive La Loïe" "Recess", "Funny Papers"
Paul Taylor Dance Company
David H. Koch Theater
New York, New York
November 8, 2024

There was a lot of light and cheer in the evening’s dances, including the premiere of Jody Sperling’s homage to Loïe Fuller, an early modern dancer whose voluminous costumes and imaginative lighting inspired thousands of Art Nouveau lamps.  It opened with Paul Taylor’s “Aureole”, his light-filled vision of a world full of Handel

By Mary Cargill
The Spirit Lives

The Spirit Lives


"The Traitor", "Scherzo", "The Quake that Held Them All", "Two Ecstatic Themes", "Missa Brevis"
Limón Dance Company
Joyce Theater
New York, New York
November 6, 2024


The Limón Dance Company’s Joyce season presented a generous program, with revivals of three significant Limón works, “The Traitor”, “Scherzo”, and “Missa Brevis”, The first and final pieces emphasized Limón’s spiritual qualities and command of movement, while “Scherzo” was a delicious playful romp.  The company also offered a solo by

By Mary Cargill