“In Creases,” “Solo,” “Partita,” “Everywhere We Go”
New York City Ballet
David H. Koch Theater
New York, NY
October 12, 2024
Ten years is a long time to be doing anything, and when it comes to serving as Resident Choreographer and creating ballets at a rate of up to four per year for one company, it’s an especially admirable feat. It was thus fitting that New York City Ballet celebrated Justin Peck’s big anniversary as a resident
“Signs,” “Beneath the Tides,” “Concerto for Two Pianos”
New York City Ballet
David H. Koch Theater
New York, NY
October 11, 2024
In the Contemporary Choreography program of recent ballets by all female creators, including this season's world premiere, New York City Ballet presented rich dancing and a level of comfort with the material that is seldom seen with newer works. It may not have been the best choreography the company has in its repertory, but all three works were
“Like Water for Chocolate”
American Ballet Theatre
Metropolitan Opera House
New York, NY
July 16, 2024
American Ballet Theatre ending its five-week season at the Metropolitan Opera House with Christopher Wheeldon’s “Like Water for Chocolate” seemed like an emblematic move committed to its determined new identity – a company of story ballets, new world-class choreographies and solid, home-grown dancing talent. It is an encouraging direction for the troupe, even if the ballet itself was not the most scrumptious dish ABT
“Woolf Works”
American Ballet Theatre
Metropolitan Opera House
New York, NY
June 26, 2024
For its second week of the 2024 New York summer season, American Ballet Theatre stuck to the literary works theme, but with an unexpectedly modern, multi award-winning twist. Created in 2015, Wayne McGregor’s “Woolf Works” is everything one would expect from him – highly physical, seemingly stripped-down yet loaded with meaning and detail, and pushing the boundaries of traditional ballet. But it was also
“Equilibrio”
Flamenco Vivo Carlota Santana
The Joyce Theater
New York, NY
June 19, 2024
It can be too easy to forget just how many elements make up the tapestry of the flamenco genre, but Flamenco Vivo Carlota Santana company’s performance of Emilio Ochando’s new “Equilibrio” expertly brought the various strands into focus. Conceived originally as a solo performance in 2020, Ochando expanded the COVID-19 pandemic creation to the whole company. Infused with a few modern twists
“Onegin”
American Ballet Theatre
Metropolitan Opera House
New York, NY
June 18 and June 19 (matinee), 2024
American Ballet Theatre boldly opened its 2024 season at the Metropolitan Opera House with John Cranko’s “Onegin.” With somewhat last-minute casting changes, the opening night honors fell on Christine Shevchenko and Cory Stearns as Tatiana and Onegin respectively, who danced with dedication; though it was the next day’s matinee performers, also a substitute cast, Chloe Misseldine and Thomas Forster, who brought
“Law of Mosaics,” “This Bitter Earth,” “Herman Schmerman Pas de Deux,” “Love Letter (on shuffle)”
New York City Ballet
David H. Koch Theater
New York, NY
May 23, 2024
In its second of two programs featuring works by contemporary choreographers, New York City Ballet dazzled and dazed, leaning heavily on the quality of its dancers to bring forward the more vibrant elements of the presented ballets’ expressive palettes, both physical and emotional. The best of the evening – the absolutely devastating
“Fandango,” “Bloom,” “Where We Dwell”
Roman Mejia, Tiler Peck and Herman Cornejo, Ayodele Casel
Fall For Dance – Program 5
New York City Center
New York, NY
October 23, 2021
The last program of this year’s Fall For Dance Festival looked back in looking ahead. Alexei Ratmansky’s 2010 work “Fandango” was presented in a restaging on a male dancer form, Justin Peck’s new work “Bloom” drew heavily on George Balanchine’s iconic “Tchaikovsky Pas De Deux,” and the
“Mapping Out A Sky,” “38109,” “Each In His Own Time,” “Meet Ella”
BalletX, Lil Buck, Lar Lubovitch Dance Company, Caleb Teicher & Company
New York City Center
New York, NY
October 22, 2021
The Fall For Dance Festival never really left, considering the two programs it offered in a digital streaming format last year, but still its return to a live audience felt like a homecoming. A bonus on the second night of Program 4 was the unscheduled appearance
interview
April 2021
Salt Lake City, Utah
by Marianne Adams
As most ballet companies around the world are slowly getting back to what once was normal, Ballet West has clocked in not one, but two live seasons since the start of the Covid-19 pandemic. How they did it and what lies ahead were among the topics I was excited to explore in my conversation with Adam Sklute, the company’s Artistic Director.
From Lockdown, to the Stage
Let’s
Precious Gems: Precious Jewels Variations from “Alladin,” “Aria,” “Tarantella,” Solo from “Lambarena,” “Variations for Four,” Sicilienne from “Emeralds,” Duet from “Concerto Six Twenty-Two,” “Paquita”
Capitol Theatre
Salt Lake City, UT
April 15, 2021
What would ballet look like on a theater stage, when it returns, has been a question plaguing most ballet lovers and insiders alike, and as one of the first companies in the world, and certainly in the United States, to bring its dancers back in front of
“Who Cares?” (excerpts), “to be seen,” “Concerto Six Twenty-Two” (duet), “Lady Swings the Blues”
Fall for Dance Festival – Program 2
New York City Center (Pre-recorded Digital Broadcast)
New York, NY
October 26, 2020
There may not have been many good news for the dance world this year, but the enduring holding of the Fall for Dance Festival, even if in an abbreviated, digital format, was certainly one of them. Admittedly, in these trying times the starved audience would have