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The Zah! Returns

The Zah! Returns


“Confetti,” “L’air d’Esprit,” “Round of Angels,” “Birthday Variations”
Arpino Dance Festival, Program 1
The Joyce Theater
New York, NY
October 1, 2025


Two years after Gerald Arpino’s centennial celebration, New York audiences got a chance to delight in the works of this co-founder of The Joffrey Ballet.  Though the company he helped build decamped to Chicago decades ago, the Arpino Dance Festival's opening program brought his distinctive spirit home through dancers assembled from companies nationwide, and

By Marianne Adams
Dances, Squared

Dances, Squared


“Square Dance”, “Episodes”, “Western Symphony”
New York City Ballet
David H. Koch Theater
Lincoln Center
New York, New York
September 20, 2025, matinee


New York City Ballet’s second all-Balanchine program of the Fall season showed two variations on bouncy American square dances (the serenely classical “Square Dance” from 1957 and the raucous “Western Symphony” from 1954), sandwiching the austere, angular “Episodes” (1959) to selections of Anton Webern—something for everyone.  I do miss the old weekly smorgasbord programming

By Mary Cargill
Love, Found and Lost

Love, Found and Lost


“Donizetti Variations”, “Ballade”, “Swan Lake”
New York City Ballet
David H. Koch Theater
Lincoln Center
New York, New York
September 16, 2025


New York City Ballet opened its Fall season with an all Balanchine evening, showing three variations of love, both lost and found, all set to nineteenth-century music.  There were two standards, “Donizetti Variations” and “Swan Lake”, and one rare revival, the 1980 “Ballade”, set to “Ballade for Piano and Orchestra” by Gabriel Fauré.  “Donizetti Variations” has

By Mary Cargill
Play On

Play On


"The Muir", "You've Got To Be Modernistic", "Silhouettes", "Mosaic and United" (Program A)
'"The Argument", "Northwest", "Ten Suggestions", "Going Away Party" (Program B)
Mark Morris Dance Group
The Joyce Theater
New York, NY 
July 16, 2025 (Program A) and July 24, 2025 (Program B)


Choreographers use music in many ways; it can provide atmosphere, humming along politely in the background, it can be a floor supporting the dancers, it can hint at a narrative, or it can weave

By Mary Cargill
Flightless Birds

Flightless Birds


“Swan Lake”
American Ballet Theatre
Metropolitan Opera House
New York, NY
July 17 and 19, 2025


In a move full of risk and opportunity, American Ballet Theatre bookended its Met season with two blocks of its production of “Swan Lake,” now in its 25th year.  The immortal classic, even in ABT’s flawed rendition, remains a tried-and-true blockbuster, but more crucially serves as an unforgiving vehicle for showcasing and assessing a company’s talent. While all eyes this

By Marianne Adams
Strong, Feminine Lead

Strong, Feminine Lead


“Sylvia”
American Ballet Theatre
Metropolitan Opera House
New York, NY
July 10, 2025


“Sylvia” was American Ballet Theatre’s marquee offering this season, at least if you were trying to draw a conclusion from the company’s marketing and the sheer saturation of this ballet across the media.  Presented by ABT for the first time in almost a decade, this Frederick Ashton ballet had many debuts, some misses, and a truly mesmerizing partnership in Chloe Misseldine as Sylvia and

By Marianne Adams
Cloud Nine

Cloud Nine


"Sylvia"
American Ballet Theatre
Metropolitan Opera House
New York, NY
July 8, July 9 matinee, July 10, July 11, 2025


ABT presented Sir Frederick Ashton’s luminous ballet “Sylvia” after a 10-year hiatus, which meant that most of the dancers had to start from scratch to absorb the elegant style and fiendishly difficult choreography of the multi-layered ballet; their work certainly paid off, as the audience cheered wildly at the curtain calls.  Ashton created the ballet in 1952

By Mary Cargill
Painting Darkness With Bright Colors

Painting Darkness With Bright Colors


“The Winter’s Tale”
American Ballet Theatre
Metropolitan Opera House
New York, NY
July 3, 2025


Christopher Wheeldon’s “The Winter’s Tale,” set to original music by Joby Talbot, graced the stage during American Ballet Theatre’s Met season only seven times, but it was clear that this addition to the company’s repertory is a worthy one. Set to Shakespeare’s story but danced with Wheeldon’s modern language, it is precisely the kind of vehicle the company

By Marianne Adams
Kings Behaving Badly

Kings Behaving Badly


"The Winter's Tale"
American Ballet Theatre
Metropolitan Opera House
New York, NY
July 1, 2025


ABT has added Christopher Wheeldon's “The Winter’s Tale”, based on the Shakespeare play, to its repertoire.  Wheeldon  is quoted in the program as saying that he got the idea to choreograph the work, often categorized as a “problem play”, from the theatrical director Nicholas Hytner, who said it might work better “if there’s no one actually talking” which is rather like

By Mary Cargill
One Night Only

One Night Only


Giselle"
American Ballet Theatre
Metropolitan Opera House
New York, NY
June 26, June 28, matinee, and evening, 2025


ABT’s sturdy production of “Giselle” was given ten times this season, with ten different Giselles scheduled (Catherine Hurlin’s illness gave Devon Teuscher two performances).  Though “Giselle” is one of ABT’s more frequently performed works, this meant that each dancer has very few opportunities to explore and experiment with their approaches, so it was impressive to see how

By Mary Cargill
Civilization and its Discontents

Civilization and its Discontents


“Anna Karenina”
The National Ballet of Canada
Four Seasons Centre for the Performing Arts
Toronto, Canada
June 13, 2025


When “Anna Karenina” appeared on the National Ballet of Canada’s season schedule, it was a surprise that it was not the John Neumeier version that the company co-produced in 2018 alongside the Bolshoi Ballet and Hamburg Ballet. Instead, the NBoC announced that it would present the North American premiere of Christian Spuck’s 2014 version, originally created for Ballet Zürich

By Denise Sum
Taylored Style

Taylored Style


Program A: "Polaris", "Tablet", "Cloven Kingdom"
Program B: "Tablet", "Churchyard", "Esplanade"
Paul Taylor Dance Company
Joyce Theater
New York, New York
June 19, 2025  (Program A) and June 21, 2025, evening (Program B)


The Paul Taylor Dance Company faces the same problem that all companies built around a founding choreographer face when that choreographer is no longer around—how to keep the company fresh without ignoring the past.  Michael Novak, the current director, has been looking both

By Mary Cargill