Latest

Identity and Archetypes

Identity and Archetypes


"Symphony in C", "Alleged Dances", "Anima Animus"
The National Ballet of Canada
Four Seasons Centre for the Performing Arts
Toronto, Canada
March 3, 2023  


The National Ballet of Canada artistic director Hope Muir continues to enrich the company’s repertoire with another interesting mixed program, featuring two new works (a world premiere and a company premiere). As with last year’s fall mixed program which featured ballets by black choreographers Alonzo King and Vaness G.R. Montoya, Muir

By Denise Sum
The Source

The Source


"The Sleeping Beauty"
New York City Ballet
David H. Koch Theater
Lincoln Center
New York, New York
February 24, 2023


It is no exaggeration to say that without “The Sleeping Beauty”, ballet as we see it today would not exist.  New York City Ballet’s program provides a useful outline of its importance, starting with the group around Diaghilev and without that great impresario, there would be no Balanchine, no Royal Ballet, and possibly no modern ballet at

By Mary Cargill
Without Feathers

Without Feathers


Without Feathers

"The Sleeping Beauty"
New York City Ballet
David H. Koch Theater
Lincoln Center
New York, New York
February 15, 2023


The New York City Ballet celebrated the day after Valentine’s with “The Sleeping Beauty”, the apotheosis of love, grandeur, and gorgeous music.  Peter Martins’ version, first seen in 1991, remains somewhat of a mixed bag, but it has some stunningly beautiful scenes with magnificent choreography, and often, excellent performances.  It was produced before

By Mary Cargill
Not His First Rodeo

Not His First Rodeo


"Copland Dance Episodes"
New York City Ballet
David H. Koch Theater
Lincoln Center
New York, New York
January 28, 2023 evening


Justin Peck first used Copland's music for his 2015 ballet "Rodeo: Four Dance Episodes", an abstract piece set to Copland's symphonic arrangement of the ballet score that launched Agnes de Mille. For his new full-length ballet (as advertised and sold by the company, though it is a 70+ minute intermission-less piece) he has incorporated most of his earlier "Rodeo"

By Mary Cargill
Two by Two

Two by Two


"Donizetti Variations", "Haieff Divertimento", "Valse-Fantaisie", "Stravinsky Violin Concerto"
New York City Ballet
David H. Koch Theater
Lincoln Center
New York, New York
January 17, 2023



New York City Ballet's Winter season opened with two pairs of Balanchine ballets, as the 19th century confections "Donizetti Variations" and "Valse-Fantaisie" alternated with the more austere and astringent 20th century works "Haieff Divertimento" and "Stravinsky Violin Concerto".  The pairings, with their contrasting styles, showed so clearly how music propelled Balanchine's choreography.  These

By Mary Cargill
Vangeline's Story

interview

Vangeline's Story


Butoh began in the ruins of post-war Japan as the "dance of utter darkness."  Today it is performed and taught all over the world, and increasingly influential in other techniques and styles. No one is more responsible for this than Vangeline, founder and director of the New York Butoh Institute, which marks its 20th anniversary in 2023. After many years on the margins of the dance world, this year she is flooded in fellowships – including a grant from the

By Tom Phillips
Mad World

Mad World


"MADDADDAM"
The National Ballet of Canada
Four Seasons Centre for the Performing Arts
Toronto, Canada
November 30, 2022 


Wayne McGregor's "MADDADDAM", a new work inspired by Margaret Atwood's prescient MaddAddam trilogy (published between 2003 and 2013), has been many years in the making. In an alarming example of life imitating art, the premiere of this dystopian ballet set during a global pandemic was delayed by an actual global pandemic. Of her frightening work of speculative fiction, Atwood has written

By Denise Sum
A Holiday Favorite

A Holiday Favorite


“The Nutcracker”
New York City Ballet
David Koch Theater
New York, New York
December 6, 2022


When New York City Ballet first presented George Balanchine’s “The Nutcracker” in 1954, New York Times critic John Martin wasn’t happy. He thought it betrayed Balanchine’s dedication to abstraction, which, he said, had revolutionized ballet. But, as so often happened, Balanchine knew best. He added the full-length narrative work to New York City Ballet’s mostly plotless repertory, and it is

By Gay Morris
Old Faithful

Old Faithful


"The Nutcracker"
New York City Ballet
David H. Koch Theater
Lincoln Center
New York, New York
November 25, 2022


For some people, the Christmas season starts with New York City Ballet's magical tree growing up to the sky with scintillating, musical excitement.  The production has remained basically the same for years; though the Chinese dance has lost much of its flavor, the boys still want to grow up to be cavalry officers and the girls still politely sip their

By Mary Cargill
In With The New

In With The New


"The Collective Agreement", "Crepuscular", "Concerto"
The National Ballet of Canada
Four Seasons Centre for the Performing Arts
Toronto, Canada
November 9, 2022 


The National Ballet of Canada's 2022-2023 season opened with a mixed program ushering in the new. Toronto-born Hope Muir started her appointment as artistic director of the company in January 2022, marking a new era after Karen Kain's 16 year tenure in the role. This repertory program is the first Muir has put together for the NBoC.

By Denise Sum
For the Dancers

For the Dancers


"The Dream", "The Seasons"
American Ballet Theatre
David H. Koch Theater
Lincoln Center
New York, New York
October 26, 2022


Frederick Ashton choreographed his version of "A Midsummer Night's Dream" as part of the 400th anniversary celebration of Shakespeare's birth.  The ballet also celebrated the birth on one of the twentieth century's most noted partnerships, as it gave Antoinette Sibley and Anthony Dowell the starring  roles and Ashton's Titania and Oberon are saturated with those dancers' qualities. Alexei

By Mary Cargill
Cream Puff

Cream Puff


"Whipped Cream"
American Ballet Theatre
David H. Koch Theater
Lincoln Center
New York, New York
October 21, 2022


Alexei Ratmansky's deceptively frivolous "Whipped Cream" got a bracing performance, led by guest artist Daniil Simkin, the original Boy with the insatiable sweet tooth.  The wisp of a story of a boy celebrating his first communion by sucking up so much whipped cream that he ended up in a hospital where he hallucinated a magical kingdom with a beautiful Princess Praline,

By Mary Cargill