Mary Cargill

Welcome Back

Welcome Back


"Tschaikovsky Piano Concerto No. 2", "Duo Concertant", Glass Pieces"
New York City Ballet
David H. Koch Theater
Lincoln Center
New York, New York
September 17, 2024


NYCB’s opening night, called “Masters at Work” featured ballets by Balanchine and Robbins and could have been called “Masters at Play”, since the choreography (and the dancing) looked effortless, as if it just poured out of these masters while listening to the music.  The oldest work, “Tschaikovsky Piano Concerto No. 2”

By Mary Cargill
Unto the Breach

Unto the Breach


"Swan Lake"
American Ballet Theatre
Metropolitan Opera House
New York, New York
June 27, 2014


The injury bug has hit ABT with a vengeance, and Friday's announced "Swan Lake" cast, Alina Cojocaru and Herman Cornejo, were replaced by Hee Seo and Roberto Bolle; Seo had already stepped in on Monday for the black act to replace Gillian Murphy, injured during the performance.  This gallantry meant the audience was already rooting for her, but her Odette/Odile is still very

By Mary Cargill
Going to Extremes

Going to Extremes



"Runes", Post Meridian", "Brandenburgs"
Paul Taylor Dance Company
Joyce Theater
New York, New York
June 26, 2024


Marketing has christened the Joyce’s week-long Taylor season as “Extreme Taylor”, a perfectly accurate designation since all of Taylor’s works are extreme challenges, requiring both physical strength and an internal fierceness strong enough to transport an audience. This program highlighted Taylor’s variety; “Runes” (1975) showed his fascination with communal rituals, the rarely seen “Post Meridian” (1965) featured his sly and

By Mary Cargill
Those Were the Days

Those Were the Days


"Dances at a Gathering", "Brahms-Schoenberg Quartet"
New York City Ballet
David H. Koch Theater
Lincoln Center
New York, New York
May 12, 2024


The double bill of Jerome Robbins’ “Dances at a Gathering” and Balanchine’s “Brahms-Schoenberg Quartet” was a glimpse back at an idealized European past, where elegant youths wore colorful chiffon while dancing to Chopin and, in an idealized Vienna, beautiful and mysterious women enticed stalwart men while luscious Gypsies cavorted on the green.  Both ballets

By Mary Cargill
Pretty in Red, White, Black, and Yellow

Pretty in Red, White, Black, and Yellow


"Rubies", "Dig the Say", "Underneath, There is Light"
New York City Ballet
David H. Koch Theater
Lincoln Center
New York, New York
May 2, 2024


New York City Ballet’s Spring gala had one Balanchine, two premieres, three brief speeches, and no intermission and clocked in at a very efficient one and a half hours.  It opened with sparkling version of “Rubies”, in all its bright red glory, danced by the veterans Megan Fairchild and Anthony Huxley, with

By Mary Cargill
Back to the Future

Back to the Future


"Bourrée Fantasque", "The Steadfast Tin Soldier", "Errante", "Symphony in C"
New York City Ballet
David H. Koch Theater
Lincoln Center
New York, New York
April 24, 2024


The New York City Ballet opened it’s 75th Anniversary Spring season, subtitled “The Future”, with an all-Balanchine program of four ballets whose dates ranged from 1940’s (“Symphony in C”, 1947 and Bourrée Fantasque, 1949 ) to 1975 (“The Steadfast Tin Soldier” and “Errante”, the new name for “Tzigane”).  The future,

By Mary Cargill
New Faces

New Faces


"The Four Temperaments", "Liebeslieder Walzer"
New York City Ballet
David H. Koch Theater
Lincoln Center
New York, New York
February 16, 2024


This program, made up of two of Balanchine’s finest ballets, had several important debuts; the company’s lower ranks are full of fine and interesting dancers and it’s encouraging that so many are getting opportunities.  These ballets, though, need not only fine dancers, but dancers with style, imagination, and depth, characteristics that usually

By Mary Cargill
Man Alone

Man Alone


"Opus 19/The Dreamer", "Solitude", "Symphony in Three Movements"
New York City Ballet
David H. Koch Theater
Lincoln Center
New York, New York
February 15, 2024


“Solitude”, the first ballet Alexei Ratmansky has choreographed since becoming New York City Ballet’s Artist in Residence, is dedicated “to the children of Ukraine, victims of the war”; Marina Harss, writing in the New York Times about the creation of the work, explained that the inspiration came from a photograph of a father

By Mary Cargill
Something for Everyone

Something for Everyone


Something for Everyone

"Ballo della Regina", "In a Landscape", "Hallelujah Junction", "The Concert"
New York City Ballet
David H. Koch Theater
Lincoln Center
New York, New York
February 9, 2024


This varied program began with Balanchine’s “Ballo della Regina”, a luscious soap bubble set to Verdi, continued with two more astringent ballets, a revival of Albert Evans’ “In a Landscape” to John Cage followed by Peter Martins’ high energy “Hallelujah Junction” to John Adams, and ended with Jerome Robbins’

By Mary Cargill
Old Friends

Old Friends


"The Four Temperaments", "Liebeslieder Walzer"
New York City Ballet
David H. Koch Theater
Lincoln Center
New York, New York
February 6, 2024


NYCB’s yearlong celebration of its 75th anniversary is in it second phase, called "Evolution", but it paused for an evening to look back, and this program featured two of Balanchine’s most memorable works, “The Four Temperaments” (1946) and “Liebeslieder Walzer” (1960), two of Balanchine’s most memorable works.  “The Four Temperaments” is danced

By Mary Cargill