Mary Cargill

Angels on High

Angels on High


"Diversion of Angels", "Three Dubious Memories", "Spindrift"
Paul Taylor’s American Modern Dance
New York, New York
March 23, 2016


Paul Taylor's recent decision to sprinkle other choreo- graphers' works into his company has rewarded the audience with Martha Graham's 1948 "Diversion of Angels". Graham's exploration of love looked fine on the Taylor dancers –they do share a heritage. Laura Halzack and Michael Trusnovec were the more mature, serene couple. Halzack, tall and beautiful in white, projected a calm radiance

By Mary Cargill
Old Favorites in a New Format

Old Favorites in a New Format


"Arden Court", "Sea Lark", "Esplanade"
Paul Taylor's American Modern Dance
David H. Koch Theater
New York, NY
March 11, 2015


Last year, Paul Taylor announced a new approach to his company, adding other modern choreographers' works to his repertoire. The current New York season includes Doris Humphrey and Shen Wei, though most of the schedule is full of Taylor, with the traditional two new works by the indefatigable choreographer.  It also includes, after a long, financially determined hiatus,

By Mary Cargill
School Figures

School Figures


"Square Dance", "Harlequinade"
New York City Ballet
David H. Koch Theater
New York, NY
February 25, 2015

by Mary Cargill 
copyright © 2015 by Mary Cargill

"Square Dance", Balanchine's witty salute to American folk dancing by way of European courts, is a dance of crisp and gracious symmetry gilding a warm center.  Erica Pereira, who danced the lead in the 2006 SAB performance, made her debut with the grownups. Her SAB version was meticulous, precise and uninflected, adjectives

By Mary Cargill
Three of a Kind

Three of a Kind


"Pictures at an Exhibition", " 'Rōdē,ō: Four Dance Episodes", "Mercurial Manoeuvres"
New York City Ballet
David H. Koch Theater
New York, New York
February 11, 2015


New York City Ballet's "New Combina- tions" program showed works by three modern choreo- graphers, Alexei Ratmansky, Justin Peck and Christopher Wheeldon. Each piece was an abstract take on symphonic music and had a rambunctious corps surrounding a mysterious couple with a casual atmosphere--there were no tutus in sight and the

By Mary Cargill
Sunshine and Shadow

Sunshine and Shadow


"Donizetti Variations", "La Valse", "Chaconne"
New York City Ballet
David H. Koch Theater
New York, NY
January 28, 2015

by Mary Cargill 
copyright © 2015 by Mary Cargill 

The New York City Ballet's intriguing program showcased three takes on Balanchine's views of romance, each featuring a central couple surrounded by formal corps patterns. The Bournonville-influenced "Donizetti Variations" will probably never appear on anyone's list of Balanchine's greatest hits, but it is a supremely crafted distillation of Bournonville's sunny

By Mary Cargill
American Stories

American Stories


"Preludes", "Homage to Edgar Allan Poe", "Are We There Yet?", "Frida"
Sokolow Theatre/Dance Ensemble
The Theater at the 14th Street Y
New York, NY 
December 7, 2014, 3:00


The Sokolow Theatre/Dance Ensemble presented a group of dances by modern choreographer Anna Sokolow with American themes; George Gershwin, whose music was used for her 1984 "Preludes" represented the cheerful, optimistic side, while "Homage to Edgar Allan Poe" (1986 and 1993) and "Frida" (1997) focused on the artistic

By Mary Cargill
Windmill Keeps on Turning

Windmill Keeps on Turning


"Don Quixote"
Mikhailovsky Ballet
David H. Koch Theater
New York, NY
November 22, 2014, matinee

The Mikhailovsky Ballet's production of "Don Quixote" lists seven choreographers (Petipa and Gorsky, of course, but also Fyodor Lopukhov, Kasyan Goleyzovsky, Nina Anisimova, Igor Belsky and Robert Gerbek) plus one stager (Mikhail Messerer). It would probably take a dance archaeologist to sort out the different layers and figure out who actually did what, but the outline and choreography of this production is very similar to

By Mary Cargill
Timeline

Timeline


"Le Halte de Cavalerie", "Class Concert", "Prelude"
Mikhailovsky Ballet
David H. Koch Theater
New York, NY
November 19, 2014


The Mikhailovsky's triple bill was a brief trip through its archives, featuring a one-act Petipa comedy, a 1960 Bolshoi classroom extravaganza and a 21st century piece by its former director Nacho Duato. The program was presented in chronological order, but unfortunately, the quality of the choreography was in descending order, though the dancing throughout was generally first rate. "Le Halte de

By Mary Cargill
Name Game

Name Game


“Giselle”
Mikhailovsky Ballet
David H. Koch Theater
New York, New York,
November 12, 2014, matinee


The Mikhailovsky Ballet, known in Soviet times as the Maly, is based in St. Petersburg, formerly known as Leningrad, and is a smaller cousin of the Maryinksy, formerly known as the Kirov. With all these name changes, it is probaby no surprise that their "Giselle" eschews named characters, and the active village is inhabited by Gamekeeper, Count, Duke, Mother, etc.  Giselle does keep her

By Mary Cargill
Numbers Game

Numbers Game


"Raymonda Divertissements", "Seven Sonatas", "Thirteen Diversions"
American Ballet Theatre
David H. Koch Theater
New York, NY
November 1, 2014, evening


Plotless abstractions ruled this program, as each work explored the choreographers' reactions to different music.  Petipa's "Raymonda Divertisse- ments", of course, originally had a story, but the current version lets the audience float along on that velvet river of music passing through various jewel-like dances, though it is a shame that the river doesn't pass through some scenery.  

By Mary Cargill
Princes and Sailors and Ordinary People

Princes and Sailors and Ordinary People


"Raymonda Divertissements", "Seven Sonatas", "Fancy Free"
American Ballet Theatre
David H. Koch Theater
New York, NY
October 25, 2014, matinee


Variety is one of the benefits of ABT's fall season--the collection of one-act works don't have to be programmed in blocks, so it is possible to see the ballets in various arrangements.  The Saturday matinee opened and closed, like the opening night performance, with "Raymoda Divertissements" and "Fancy Free", but the middle work was the modern, plotless "Seven Sonatas"

By Mary Cargill
Golden Oldies

Golden Oldies


"Raymonda Divertissements", "Jardin aux Lilas", "Fancy Free"
American Ballet Theatre
David H. Koch Theater
New York, NY
October 23, 2014


ABT opened its regular season with a fine triple bill, a set of ballets in contrasting styles. The so-called premiere was a collection of Petipa dances to the Galzunov music for "Raymonda" curated by the former Kirov ballerina Irina Kolpakova. There was nothing really new in the choreography--this is not a criticism, since the Petipa (or what we recognize as

By Mary Cargill