Mary Cargill

Tricks and Treats

American Ballet Theatre

Tricks and Treats


"Rodeo", "Le Grande Pas de Deux", "Rhapsody Pas de Deux", "Theme and Variations"
American Ballet Theatre
David H. Koch Theater
New York, NY
October 31, 2025


ABT celebrated Halloween in grand style, handing out candy to the departing audience, holding a costume contest (I set next to the winning couple, a Venus fly-trap and a trumpet pitcher plant), and a program of tricks and treats (the trick was Christian Spuck’s comedy “Le Grand Pas de Deux” and the treats

By Mary Cargill
Bits and Pieces

American Ballet Theatre

Bits and Pieces


"The Kingdom of the Shades", "Rhapsody Pas de Deux", "Grand Pas Classique", "The Sleeping Beauty, Act III"
American Ballet Theatre
New York City Ballet
David H. Koch Theater
New York, NY
October 25, 2025, evening


The program, entitled “Classics to the Contemporary”, had selections from three works ranging from the Shades scene from Marius Petipa’s “La Bayadère” (1877), the final act of his “The Sleeping Beauty” (1890), and a brief pas de deux from Sir Frederick Ashton’s “Rhapsody”

By Mary Cargill
Dream Girls

American Ballet Theatre

Dream Girls


"Les Sylphides", "Gala Performance", "Rodeo"
American Ballet Theatre
New York City Ballet
David H. Koch Theater
October 23, 2025


ABT helped celebrate its 85th anniversary with the program entitled “A Retrospective of Major Choreographers” whose works (Michel Fokine’s “Les Sylphides”, Antony Tudor’s “Gala Performance”, and Agnes de MIlle’s “Rodeo”), though long associated with ABT, were all created for different companies.  Though they have very different styles (lyrical, satirical-technical, and American rowdy respectively), they all have a

By Mary Cargill
Chatting About Dance

Chatting About Dance


"Otherwhere", "Leaven"
Tom Gold Dance
Marlene Meyerson JCC Manhattan
New York, NY
October 20, 2025


Tom Gold Dance was established in 2008 by the former New York City Ballet soloist, Tom Gold, and the revolving cast (made up of dancers with various backgrounds, including current and former NYCB dancers) has been performing Gold’s choreography in smaller venues with regular New York seasons.  Keeping a small company going for so long can’t have been easy, but the dances

By Mary Cargill
Too Much Imagination

Too Much Imagination


"Chaconne", "The Emperor Jones", "Jamelgos"
Limón Dance Company
Joyce Theater
New York, NY
October 14, 2025


In his affable introduction to the week-long Limón season at the Joyce celebrating the company’s 80th anniversary, Dante Puleio, the Artistic Director, dedicated the performances to his predecessor the late Carla Maxwell, who died this year.  She directed the company from 1978 to 2015, one of the early pioneers in maintaining a modern dance company which had been build around a

By Mary Cargill
Looking Forward

New York City Ballet

Looking Forward


"Voices", "Composer's Holiday", "Herman Scherman Pas de Deux", "Forseeable Future"
New York City Ballet
David H. Koch Theater
Lincoln Center
New York, New York
October 9, 2025


The current City Ballet practice of programming ballets by themes meant that the evening, called “Contemporary Choreography I”, had no tutus, limited point shoes, fantastic dancing, and a gradually diminishing audience.  Contemporary, in this case, ranged from 1993 (William Forsythe’s “Herman Schmerman pas de deux”) to yesterday (Jamar Roberts’ “Foreseeable Future”

By Mary Cargill
Dances, Squared

New York City Ballet

Dances, Squared


“Square Dance”, “Episodes”, “Western Symphony”
New York City Ballet
David H. Koch Theater
Lincoln Center
New York, New York
September 20, 2025, matinee


New York City Ballet’s second all-Balanchine program of the Fall season showed two variations on bouncy American square dances (the serenely classical “Square Dance” from 1957 and the raucous “Western Symphony” from 1954), sandwiching the austere, angular “Episodes” (1959) to selections of Anton Webern—something for everyone.  I do miss the old weekly smorgasbord programming

By Mary Cargill
Love, Found and Lost

New York City Ballet

Love, Found and Lost


“Donizetti Variations”, “Ballade”, “Swan Lake”
New York City Ballet
David H. Koch Theater
Lincoln Center
New York, New York
September 16, 2025


New York City Ballet opened its Fall season with an all Balanchine evening, showing three variations of love, both lost and found, all set to nineteenth-century music.  There were two standards, “Donizetti Variations” and “Swan Lake”, and one rare revival, the 1980 “Ballade”, set to “Ballade for Piano and Orchestra” by Gabriel Fauré.  “Donizetti Variations” has

By Mary Cargill
Play On

Play On


"The Muir", "You've Got To Be Modernistic", "Silhouettes", "Mosaic and United" (Program A)
'"The Argument", "Northwest", "Ten Suggestions", "Going Away Party" (Program B)
Mark Morris Dance Group
The Joyce Theater
New York, NY 
July 16, 2025 (Program A) and July 24, 2025 (Program B)


Choreographers use music in many ways; it can provide atmosphere, humming along politely in the background, it can be a floor supporting the dancers, it can hint at a narrative, or it can weave

By Mary Cargill
Cloud Nine

American Ballet Theatre

Cloud Nine


"Sylvia"
American Ballet Theatre
Metropolitan Opera House
New York, NY
July 8, July 9 matinee, July 10, July 11, 2025


ABT presented Sir Frederick Ashton’s luminous ballet “Sylvia” after a 10-year hiatus, which meant that most of the dancers had to start from scratch to absorb the elegant style and fiendishly difficult choreography of the multi-layered ballet; their work certainly paid off, as the audience cheered wildly at the curtain calls.  Ashton created the ballet in 1952

By Mary Cargill
Kings Behaving Badly

American Ballet Theatre

Kings Behaving Badly


"The Winter's Tale"
American Ballet Theatre
Metropolitan Opera House
New York, NY
July 1, 2025


ABT has added Christopher Wheeldon's “The Winter’s Tale”, based on the Shakespeare play, to its repertoire.  Wheeldon  is quoted in the program as saying that he got the idea to choreograph the work, often categorized as a “problem play”, from the theatrical director Nicholas Hytner, who said it might work better “if there’s no one actually talking” which is rather like

By Mary Cargill
One Night Only

One Night Only


Giselle"
American Ballet Theatre
Metropolitan Opera House
New York, NY
June 26, June 28, matinee, and evening, 2025


ABT’s sturdy production of “Giselle” was given ten times this season, with ten different Giselles scheduled (Catherine Hurlin’s illness gave Devon Teuscher two performances).  Though “Giselle” is one of ABT’s more frequently performed works, this meant that each dancer has very few opportunities to explore and experiment with their approaches, so it was impressive to see how

By Mary Cargill