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Catching Up with Adam Sklute, Artistic Director, Ballet West

interview

Catching Up with Adam Sklute, Artistic Director, Ballet West


April 2021
Salt Lake City, Utah 
by Marianne Adams


As most ballet companies around the world are slowly getting back to what once was normal, Ballet West has clocked in not one, but two live seasons since the start of the Covid-19 pandemic. How they did it and what lies ahead were among the topics I was excited to explore in my conversation with Adam Sklute, the company’s Artistic Director.

From Lockdown, to the Stage

 Let’s

By Marianne Adams
Thank you to George Jackson, a Mainstay of this Site

Thank you to George Jackson, a Mainstay of this Site


April 29, 2021
Washington, DC
by Alexandra Tomalonis


When I posted George Jackson's most recent review, I noticed how many pieces he has written for DVT — not to mention its predecessors, Washington DanceView and DanceView. (He also has written regularly for the Washington Post, Dance Magazine, Dance Now, the German magazine  Ballett, and other publications.) 365 reviews – 365!! just for this site! – of ballet, modern dance, ethnic dance, and books as well.

By Alexandra Tomalonis
Three for the Price of One

Three for the Price of One


Jewels 
San Francisco Ballet
April 6, 2021
Streamed
  


I only vaguely remember my first encounter with Jewels, Balanchine’s 1967 masterful triptych, supposedly influenced by the respective precious stones. Karinska’s costumes, most certainly, glittered and shimmered, almost excessively. I wish I could credit the company-it was not SFB that I saw it on. I recall being puzzled by “Emeralds”, almost laughing in delight at “Rubies” and taken aback by “Diamonds.” All were beautifully danced, but

By Rita Felciano
Plastic Fantastic Planet

Plastic Fantastic Planet


"Plastic Harvest" Jody Sperling/Time Lapse Dance
"healing/trying" jillsigman/thinkdance
"Wake up and Smell the Coffee" Vangeline Theater 
Earth Day, New York City 
April 24, 2021


One problem in dealing with the world’s environ- mental crisis is that it’s composed of so many separate problems, most of them difficult to picture. Science does a lousy job of dramatizing climate change – so by the time people are forced to recognize it, their homes may be gone

By Tom Phillips
Anticipation

book review

Anticipation


Book: Francis Cunningham 
5 Continents Editions ($55)
March 18, 2021


A magic moment sometimes at a performance is when the curtains have parted but nothing yet has happened. One's awareness is acutely that of the stage space. The dancers, if already present, are about to be in motion - which differs  from standing still.  Many of Francis Cunningham's paintings and drawings give me the feeling that what is depicted is a theater's stage when things are

By George Jackson
Reading and ReReading

book review

Reading and ReReading


Balanchine Variations, by Nancy Goldner
University Press of Florida, 2008 & 2021

Books are selling in this era of the coronavirus quarantine, and University Press of Florida has republished critic Nancy Goldner's 2008 "Balanchine Variations" in which she admires, analyzes and annotates 20 ballets by George Balanchine (1904 - 1983), a  colossus among choreographers. Included in the works discussed are two of Balanchine's earliest surviving ones and also some of his last.

Goldner uses description from her memories of

By George Jackson
Back On Stage: If Cautiously, Relentlessly

Back On Stage: If Cautiously, Relentlessly


Precious Gems: Precious Jewels Variations from “Alladin,” “Aria,” “Tarantella,” Solo from “Lambarena,” “Variations for Four,” Sicilienne from “Emeralds,” Duet from “Concerto Six Twenty-Two,” “Paquita”
Capitol Theatre
Salt Lake City, UT
April 15, 2021


What would ballet look like on a theater stage, when it returns, has been a question plaguing most ballet lovers and insiders alike, and as one of the first companies in the world, and certainly in the United States, to bring its dancers back in front of

By Marianne Adams
A Trio to Treasure--For Different Reasons

A Trio to Treasure--For Different Reasons


"Symphony #9," "Wooden Dimes," "Swimmer"
San Francisco Ballet
Streaming      
March 10, 2021 


For anybody with doubts about Ballet being a contemporary art form, this was the show to see. Alexander Ratmansky’s “Symphony #9” and Yuri Possokhov’s “Swimmer” bracketed Danielle Rowe’s world premiere of “Wooden Dimes.” They made for an intelligent satisfying evening of 21st century dance. There was barely a false note among them. 

Co-commissioned by American Ballet Theatre, “Symphony

By Rita Felciano
Queering Ballet

Queering Ballet


#QueertheBallet
Adriana Pierce, choreographer
Bridge Street Theatre, Catskill, New York
February 25, 2021
Streaming on Youtube, February 25-March 11


The art form of ballet is overdue for a queering – i.e. expanding its repertoire of meaning beyond the traditional binary codes of gender and sex.  Adriana Pierce, an alumna of George Balanchine’s School of American Ballet and Miami City Ballet, went into a recent residency with a clear goal in mind: “to create a duet for two women

By Tom Phillips
All’s Well That Ends Well

All’s Well That Ends Well


“Midsummer Night’s Dream”
San Francisco Ballet
January 28, 2021
Streamed


If you have to watch streamed full-length ballets, you probably could do not much better than San Francisco’s “Midsummer Night’s Dream” (available until February 10). This jewel received a single on-stage performance last April, the night before the SF Opera House closed. With a different cast, recorded last summer, it will have to do until sometime after the Company returns live. Yet Frank Zamacona’s superb direction

By Rita Felciano
Miracles of Dance at LaMama

Miracles of Dance at LaMama


LaMama Moves/Online
Tamar Rogoff with Merri Milwe
"Wonder About Merri" 
Kevin Augustine/Lone Wolf Tribe 
"Body Concert"
Tamar Rogoff with Mei Yamanaka
"The Yamanakas at Home"
January 27, 2021


It's not that often that three disparate dance pieces fit together so well that they seem to be subtly referring and commenting on each other – but last night's trio of experiments from LaMama seemed to have been made with each other in mind.  The bookends were

By Tom Phillips
The Grand Union

book review

The Grand Union


“The Grand Union: Accidental Anarchists of Downtown Dance: 1970-1976”
by Wendy Perron
Wesleyan, 2020


The Grand Union existed for a mere six years, from 1970 to 1976. Yet its performances were legendary, in good part because a number of its members were among the brightest lights of postmodern dance. Would we still be interested in the Grand Union if it had not included Yvonne Rainer, Steve Paxton, David Gordon, Tricia Brown, Doug Dunn, and Barbara Dilly? I suspect not.

Important,

By Gay Morris