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New York City Ballet

Dances, Squared

“Square Dance”, “Episodes”, “Western Symphony”
New York City Ballet
David H. Koch Theater
Lincoln Center
New York, New York
September 20, 2025, matinee

New York City Ballet’s second all-Balanchine program of the Fall season showed two variations on bouncy American square dances (the serenely classical “Square Dance” from 1957 and the raucous “Western Symphony” from 1954), sandwiching the austere, angular “Episodes” (1959) to selections of Anton Webern—something for everyone. I do miss the old weekly smorgasbord programming

New York City Ballet

Love, Found and Lost

“Donizetti Variations”, “Ballade”, “Swan Lake”
New York City Ballet
David H. Koch Theater
Lincoln Center
New York, New York
September 16, 2025

New York City Ballet opened its Fall season with an all Balanchine evening, showing three variations of love, both lost and found, all set to nineteenth-century music. There were two standards, “Donizetti Variations” and “Swan Lake”, and one rare revival, the 1980 “Ballade”, set to “Ballade for Piano and Orchestra” by Gabriel Fauré. “Donizetti Variations” has

Play On

"The Muir", "You've Got To Be Modernistic", "Silhouettes", "Mosaic and United" (Program A)
'"The Argument", "Northwest", "Ten Suggestions", "Going Away Party" (Program B)
Mark Morris Dance Group
The Joyce Theater
New York, NY
July 16, 2025 (Program A) and July 24, 2025 (Program B)

Choreographers use music in many ways; it can provide atmosphere, humming along politely in the background, it can be a floor supporting the dancers, it can hint at a narrative, or it can weave

Flightless Birds

“Swan Lake”
American Ballet Theatre
Metropolitan Opera House
New York, NY
July 17 and 19, 2025

In a move full of risk and opportunity, American Ballet Theatre bookended its Met season with two blocks of its production of “Swan Lake,” now in its 25^th year. The immortal classic, even in ABT’s flawed rendition, remains a tried-and-true blockbuster, but more crucially serves as an unforgiving vehicle for showcasing and assessing a company’s talent. While all eyes this

American Ballet Theatre

Strong, Feminine Lead

“Sylvia”
American Ballet Theatre
Metropolitan Opera House
New York, NY
July 10, 2025

“Sylvia” was American Ballet Theatre’s marquee offering this season, at least if you were trying to draw a conclusion from the company’s marketing and the sheer saturation of this ballet across the media. Presented by ABT for the first time in almost a decade, this Frederick Ashton ballet had many debuts, some misses, and a truly mesmerizing partnership in Chloe Misseldine as Sylvia and

American Ballet Theatre

Cloud Nine

"Sylvia"
American Ballet Theatre
Metropolitan Opera House
New York, NY
July 8, July 9 matinee, July 10, July 11, 2025

ABT presented Sir Frederick Ashton’s luminous ballet “Sylvia” after a 10-year hiatus, which meant that most of the dancers had to start from scratch to absorb the elegant style and fiendishly difficult choreography of the multi-layered ballet; their work certainly paid off, as the audience cheered wildly at the curtain calls. Ashton created the ballet in 1952

Painting Darkness With Bright Colors

“The Winter’s Tale”
American Ballet Theatre
Metropolitan Opera House
New York, NY
July 3, 2025

Christopher Wheeldon’s “The Winter’s Tale,” set to original music by Joby Talbot, graced the stage during American Ballet Theatre’s Met season only seven times, but it was clear that this addition to the company’s repertory is a worthy one. Set to Shakespeare’s story but danced with Wheeldon’s modern language, it is precisely the kind of vehicle the company

American Ballet Theatre

Kings Behaving Badly

"The Winter's Tale"
American Ballet Theatre
Metropolitan Opera House
New York, NY
July 1, 2025

ABT has added Christopher Wheeldon's “The Winter’s Tale”, based on the Shakespeare play, to its repertoire. Wheeldon is quoted in the program as saying that he got the idea to choreograph the work, often categorized as a “problem play”, from the theatrical director Nicholas Hytner, who said it might work better “if there’s no one actually talking” which is rather like

One Night Only

Giselle"
American Ballet Theatre
Metropolitan Opera House
New York, NY
June 26, June 28, matinee, and evening, 2025

ABT’s sturdy production of “Giselle” was given ten times this season, with ten different Giselles scheduled (Catherine Hurlin’s illness gave Devon Teuscher two performances). Though “Giselle” is one of ABT’s more frequently performed works, this meant that each dancer has very few opportunities to explore and experiment with their approaches, so it was impressive to see how

Civilization and its Discontents

“Anna Karenina”
The National Ballet of Canada
Four Seasons Centre for the Performing Arts
Toronto, Canada
June 13, 2025

When “Anna Karenina” appeared on the National Ballet of Canada’s season schedule, it was a surprise that it was not the John Neumeier version that the company co-produced in 2018 alongside the Bolshoi Ballet and Hamburg Ballet. Instead, the NBoC announced that it would present the North American premiere of Christian Spuck’s 2014 version, originally created for Ballet Zürich

Paul Taylor Dance Company

Taylored Style

Program A: "Polaris", "Tablet", "Cloven Kingdom"
Program B: "Tablet", "Churchyard", "Esplanade"
Paul Taylor Dance Company
Joyce Theater
New York, New York
June 19, 2025 (Program A) and June 21, 2025, evening (Program B)

The Paul Taylor Dance Company faces the same problem that all companies built around a founding choreographer face when that choreographer is no longer around—how to keep the company fresh without ignoring the past. Michael Novak, the current director, has been looking both

Moves, Like Words, Becoming Stories

“Woolf Works”
American Ballet Theatre
Metropolitan Opera House
New York, NY
June 17, 2025

In a full lineup of classics or classical-feeling story ballets, Wayne McGregor’s “Woolf Works” to Max Richter’s music stood as American Ballet Theatre’s one edgy and daring offering this season. Rooted in literary works by Virginia Woolf and wholly embedded in McGregor’s signature pliant style, this ballet showcased the company at its versatile best, with deeper and more seasoned interpretation from how

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