Olè!

Olè!

Pilar Rioja
Repertorio Español
New York, NY
December 6, 2011


Pilar Rioja, looking much younger than her seventy+ years, gave a series of farewell performances on the wonderfully intimate stage of the Repertorio Español.  She ranged from full-blooded flamenco to a more gracious filigreed fandango, alternating (so she could change costumes) with haunting flamenco singers and guitarists.  The setting was powerfully simple--a stage, a spotlight, and a black background; no gimmicks, just music and dancing.  The opening flamenco told of eternal loss and defiant pride, while the second, a farruca (danced in black trousers) was more flamboyant, showing off the quick, rhythmic taps.  Her demeanor in this dance was almost defiant, daring the audience to compete.  

 The fandango which followed was a complete change of pace.  She was dressed in a purple tea gown with a Basque waist, looking remarkably like a lithograph of Fanny Ellsler with her curving arms and elegantly tilted torso, accented with the rat tat tat of her castanets.  It was a wonderful demonstration of delicate sensuality, and clearly showed that Spanish dancing covers a wide range of styles.  Her hands, sometimes fierce, sometimes caressing the air, sometimes pushing it away, were unbelievably eloquent.  There is a common thread in Rioja's dancing, though, no matter what style, a thread of pride and joy and generosity. 

copyright © 2011 by Mary Cargill

Read more

Early Fireworks

Early Fireworks


"Don Quixote"
American Ballet Theatre
Metropolitan Opera House
New York, NY
July 3, 2026


It was only July 3rd, but the audience seemed primed for an evening of fireworks when Jake Roxander made his highly anticipated complete “Don Quixote” debut—he had danced Act III in the all-hands-on-deck emergency “Don Quixote” the previous Wednesday.  The applause began during the overture (so great to hear Minkus getting his due for the wonderfully danceable score) and continued all

By Mary Cargill
Sunny Side Up

Sunny Side Up


"Don Quixote"
American Ballet Theatre
Metropolitan Opera House
New York, NY
July 1, 2026, matinee


Cy Doherty first performed the Don in 2022 as an apprentice, creating a remarkably vivid picture, both comic and tragic, of a befuddled but sincere visionary searching for an ideal.  He was equally vivid in this performance, though the new production has turned the iconic dreamer into a silly old man who just wants a young wife.  The traditional ballet is about the

By Mary Cargill
Speculative Fiction

Speculative Fiction


"MADDADDAM"
The National Ballet of Canada
Four Seasons Centre for the Performing Arts
Toronto, Canada
June 18, 2026 (evening)

The return of Wayne McGregor’s “MADDADDAM” 4 years after its world premiere was a welcome one. The complex work based on Margaret Atwood’s dystopian trilogy (“Oryx and Crake”, “The Year of the Flood” and “MaddAddam”) has many layers and rewards repeat viewings. There were not a lot of debuts during this run. Rather, dancers who created roles in 2022

By Denise Sum
Knights of Old

Knights of Old


"Don Quixote"
American Ballet Theatre
Metropolitan Opera House
New York, NY
June 29, 2026


ABT’s newish version of “Don Quixote”, overseen by Director Susan Jaffe and regisseur Susan Jones, uses the lovely 1978 sets by Santo Loquasto, and most of the costumes, though the corps’ charming character shoes have been replaced by point shoes which meant that the corps’ Spanish flair in Act III lost the dynamic contrast with the more formal point work. Though the men have kept

By Mary Cargill