Olè!

Olè!

Pilar Rioja
Repertorio Español
New York, NY
December 6, 2011


Pilar Rioja, looking much younger than her seventy+ years, gave a series of farewell performances on the wonderfully intimate stage of the Repertorio Español.  She ranged from full-blooded flamenco to a more gracious filigreed fandango, alternating (so she could change costumes) with haunting flamenco singers and guitarists.  The setting was powerfully simple--a stage, a spotlight, and a black background; no gimmicks, just music and dancing.  The opening flamenco told of eternal loss and defiant pride, while the second, a farruca (danced in black trousers) was more flamboyant, showing off the quick, rhythmic taps.  Her demeanor in this dance was almost defiant, daring the audience to compete.  

 The fandango which followed was a complete change of pace.  She was dressed in a purple tea gown with a Basque waist, looking remarkably like a lithograph of Fanny Ellsler with her curving arms and elegantly tilted torso, accented with the rat tat tat of her castanets.  It was a wonderful demonstration of delicate sensuality, and clearly showed that Spanish dancing covers a wide range of styles.  Her hands, sometimes fierce, sometimes caressing the air, sometimes pushing it away, were unbelievably eloquent.  There is a common thread in Rioja's dancing, though, no matter what style, a thread of pride and joy and generosity. 

copyright © 2011 by Mary Cargill

Read more

Words and Music

Words and Music



Program B: American Heartbeat - County and Western
"Home (Excerpt 1)", "Deck of Cards", "Home" (Excerpt 2"), "Songs that Tell a Story", "Home" (Excerpt 3)", "Going Away Party"
Program C: American Mavericks - West Coast Composers
"Prelude and Prelude", "Jenn and Spencer", "Pacific", "Grand Duo"
Mark Morris Dance Group
The Joyce Theater
New York, NY 
July 21, 2026 (Program C), July 23, 2026 (Program B)


Programs B and C of Mark Morris’s all-American music season had distinctly different approaches.

By Mary Cargill
Not Your Average Bird

Not Your Average Bird


“Swan Lake”
American Ballet Theatre
The Metropolitan Opera House
New York, NY
June 19 and July 18 (matinee), 2026


Much has been written about the splendor of Chloe Misseldine's dancing in American Ballet Theatre's "Swan Lake" over the past couple of years, including the debut that led to her onstage promotion, but little of it prepares one for the nuance of the live experience. In her third season dancing the dual roles of Odette/Odile, Misseldine has refined

By Marianne Adams
Soul Man

Soul Man


Program A: Soul of America--Jazz and Pop
"Pizzica", "Three Preludes", "Dancing Honeymoon", 'You've Got To Be Modernistc"
Mark Morris Dance Group
The Joyce Theater
New York, NY 
July 14, 2026


Mark Morris is honoring the American semisesquicentennial—a long word meaning 250th anniversary—with a long look at his works choreographed to American music.  The first of the three programs saluted earlier popular composers, primarily Louis Moreau Gottschalk (“Pizzica”), George Gershwin “Three Preludes”, and the early

By Mary Cargill
A Backward Glance

A Backward Glance


"Sylvia"
American Ballet Theatre
Metropolitan Opera House
New York, NY
July 10, 2026 matinee and evening and July 11, 2026 matinee and evening


The high-class circus of “Don Quixote” week was followed by the stylish exaltation of Ashton’s “Sylvia”; both ballets are joyful explosions of dancing with large casts which allow ABT to show off its many dancers, but “Sylvia”, with its cohesive and coherent style is first-class art as well as first-class entertainment.  The

By Mary Cargill