interview

Vangeline's Story

interview

Vangeline's Story


Butoh began in the ruins of post-war Japan as the "dance of utter darkness."  Today it is performed and taught all over the world, and increasingly influential in other techniques and styles. No one is more responsible for this than Vangeline, founder and director of the New York Butoh Institute, which marks its 20th anniversary in 2023. After many years on the margins of the dance world, this year she is flooded in fellowships – including a grant from the

By Tom Phillips
Isadora in the 21st Century: Interview with Lori Belilove

interview

Isadora in the 21st Century: Interview with Lori Belilove


Isadora Duncan was and is an outlier – 100 years ago, a rebel against the academic dance establishment, and now, a pure classicist in a free-wheeling, eclectic dance environment.  Today, no one embodies Isadora’s life and work more than Lori Belilove, director of the Isadora Duncan Dance Company and Foundation.  Working out of a loft-studio in Manhattan’s Chelsea neighborhood, she has spent decades as a dancer, teacher, and choreographer, re-inventing Duncan Dance for the 21st 

By Tom Phillips
Catching Up with Adam Sklute, Artistic Director, Ballet West

interview

Catching Up with Adam Sklute, Artistic Director, Ballet West


April 2021
Salt Lake City, Utah 
by Marianne Adams


As most ballet companies around the world are slowly getting back to what once was normal, Ballet West has clocked in not one, but two live seasons since the start of the Covid-19 pandemic. How they did it and what lies ahead were among the topics I was excited to explore in my conversation with Adam Sklute, the company’s Artistic Director.

From Lockdown, to the Stage

 Let’s

By Marianne Adams
Is Bournonville Still Alive?

interview

Is Bournonville Still Alive?


danceviewtimes in conversation with Alexander Meinertz


“I’m a huge admirer of Bournonville’s work. In fact, I would argue that Bournonville was not just a great choreographer in the sense that he really knew how to move dancers to music in really delightful and exciting ways. In his day he was called a “ballet poet”, and I think that’s accurate: his storylines and stagings are second to none and stand out to this day for their complexity and

By Alexander Meinertz