Similarities

Similarities

ICONS Choreographic Institute Thesis Dance Concert 2022
Dance Loft on 14
Washington DC
May 15, 2022 (matinee)


It is not surprising that there were resemblances among the dance works shown on this program. Vladimir Angelov was, after all, the teacher of all the choreographers and performers who were being presented. Angelov's pupils seem to think that dance is an unfolding of the human body - as if were a piece of clothing that had been wrapped up and needed to be unrolled before being worn. Some of the unfoldings on this bill were emotional, others were mechanical.

The most fascinating unfolding was a solo - Mimi Hoorami's "Richard" as danced by former child prodigy and later teen terror Rasta Thomas. "Richard" is this dance soliloquy's title and it is based on Shakespeare's drama of King Richard. Thomas shows the king as royal, refined, thoughtful, capable of being evil and of noble actions. What a great performance!

 Other choreographers iwere Elizabeth Watson, Millicent Parker and William L. Miller Jr. but it was easy to confuse the dances, especially those in which the unravelling motions tended to become routine. One fine new dance per program, though, is a true gift! Thank you, Mr. Thomas and Ms. Noorami!

copyright 2022 by George Jackson

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Game of Thrones

Game of Thrones


"Mary, Queen of Scots”
Scottish Ballet
David H. Koch Theater
New York, NY
June 4, 2026


In a regrettably brief five-performance run, Scottish Ballet brought New York a work that was, above all else, generously inventive — a history play filtered through a dying mind, where fact and fever dream shared equal billing. While the life of Mary Stuart is not a topic of any kind of regular discussion in these lands, the love, care and detail with which the

By Marianne Adams
Fated Choices

Fated Choices


"Kismet", "Emma Bovary"
The National Ballet of Canada
Four Seasons Centre for the Performing Arts
Toronto, Canada
May 29, 2026


The National Ballet of Canada’s summer season opened with the world premiere of Jera Wolfe’s “Kismet”, his first mainstage work for the company, and the return Helen Pickett’s 2023 psychological drama “Emma Bovary”. Both works examine the concepts of choice, destiny and free will in fresh and nuanced ways. 

Wolfe, a Toronto native of Métis heritage,

By Denise Sum
Group Dynamics

Group Dynamics


"Proof of Light", "Cortège Hongrois (Czardas)," "Scherzo la Russe", "Who Cares?"
SAB Workshop
Peter Jay Sharp Theater
New York, NY
June 6, 2026, matinee


The 2026 SAB Workshop showcased four ballets and three distinctive styles.   There were two folk-inflected works, Balanchine’s czardas from “Cortège Hongrois”, set to Glazounov’s sumptuous music from "Raymonda", and his “Scherzo à la Russe” to Stravinsky, inspired by Russian women’s folk dances.  The performance ended with Balanchine’s “Who Cares?

By Mary Cargill
Filling The Stage

Filling The Stage


"Opus 19/The Dreamer,” “Standard Deviation,” “Symphonie Espagnole”
New York City Ballet
David H. Koch Theater
New York, NY
May 17, 2026 (matinee), May 28, 2026


For her much-promoted sophomore piece at NYCB – “Symphonie Espagnole” to Éduard Lalo’s eponymous music – Tiler Peck said she wanted to go big, filling the stage with dancers.  By coincidence or design, the two works accompanying the buzzed-about creation – Jerome Robbins's "Opus 19/The Dreamer" and Alysa Pires's "Standard

By Marianne Adams