Similarities

Similarities

ICONS Choreographic Institute Thesis Dance Concert 2022
Dance Loft on 14
Washington DC
May 15, 2022 (matinee)


It is not surprising that there were resemblances among the dance works shown on this program. Vladimir Angelov was, after all, the teacher of all the choreographers and performers who were being presented. Angelov's pupils seem to think that dance is an unfolding of the human body - as if were a piece of clothing that had been wrapped up and needed to be unrolled before being worn. Some of the unfoldings on this bill were emotional, others were mechanical.

The most fascinating unfolding was a solo - Mimi Hoorami's "Richard" as danced by former child prodigy and later teen terror Rasta Thomas. "Richard" is this dance soliloquy's title and it is based on Shakespeare's drama of King Richard. Thomas shows the king as royal, refined, thoughtful, capable of being evil and of noble actions. What a great performance!

 Other choreographers iwere Elizabeth Watson, Millicent Parker and William L. Miller Jr. but it was easy to confuse the dances, especially those in which the unravelling motions tended to become routine. One fine new dance per program, though, is a true gift! Thank you, Mr. Thomas and Ms. Noorami!

copyright 2022 by George Jackson

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Fresh Takes

Fresh Takes


"Walpurgisnacht Ballet," "Flower Festival in Genzano Pas de Deux," "The Wind-Up," "Opus 19/The Dreamer"
New York City Ballet
David H. Koch Theater
New York, NY
January 30, 2026


On a night abundant with debuts, including an all-new second cast for Justin Peck’s “The Wind-Up” which premiered a day earlier, the real revelations came from the repertory. While Peck's latest work stumbled through familiar choreographic territory, the dancers once again proved that a company’s greatest asset is

By Marianne Adams
The Gods Are Smiling

The Gods Are Smiling


"Serenade", "The Prodigal Son", "Paquita"
New York City Ballet
David H. Koch Theater
New York, NY
January 31, 2026 matinee


The programming gods, who can sometimes be arbitrary, provided an outstanding triple bill, a perfect example of scheduling a complete meal.  It opened with “Serenade”, a most luscious appetizer, followed by the dramatic meat of “The Prodigal Son”, and ended with a fine dessert, the Spanish frivolity of Ratmansky’s take on the Grand Pas of Petipa’s “Paquita”

By Mary Cargill
Roll Over, Beethoven

Roll Over, Beethoven


"Walpurgisnacht Ballet", "Flower Festival in Genzano Pas de Deux", "The Wind-Up", "Opus 19/The Dreamer"
New York City Ballet
David H. Koch Theater
New York, NY
January 29, 2026


The premiere of Justin Peck’s new ballet “The Wind-Up”, was the centerpiece of this program. He used the first movement of Beethoven’s “Eroica Symphony” and a cast of six of the most interesting and vibrant of NYCB’s currently packed roster.  Balanchine’s “Walpurgisnacht Ballet” which is set

By Mary Cargill
Mood Music

Mood Music


"Kammermusik No. 2", "Le Tombeau de Couperin", "Antique Epigraphs", "Raymonda Variations"
New York City Ballet
David H. Koch Theater
New York, NY
January 23, 2026


The four ballets (three by Balanchine and one—“Antique Epigraphs”—by Robbins) on this program were all plotless explorations of the different atmospheres created by the composers, ranging from the jagged tones of Hindemith’s “Kammermusik No. 2”, the classical calm of Maurice Ravel’s “Le Tombeau de Couperin”, the mysterious Grecian echoes of Claude

By Mary Cargill