Similarities

Similarities

ICONS Choreographic Institute Thesis Dance Concert 2022
Dance Loft on 14
Washington DC
May 15, 2022 (matinee)


It is not surprising that there were resemblances among the dance works shown on this program. Vladimir Angelov was, after all, the teacher of all the choreographers and performers who were being presented. Angelov's pupils seem to think that dance is an unfolding of the human body - as if were a piece of clothing that had been wrapped up and needed to be unrolled before being worn. Some of the unfoldings on this bill were emotional, others were mechanical.

The most fascinating unfolding was a solo - Mimi Hoorami's "Richard" as danced by former child prodigy and later teen terror Rasta Thomas. "Richard" is this dance soliloquy's title and it is based on Shakespeare's drama of King Richard. Thomas shows the king as royal, refined, thoughtful, capable of being evil and of noble actions. What a great performance!

 Other choreographers iwere Elizabeth Watson, Millicent Parker and William L. Miller Jr. but it was easy to confuse the dances, especially those in which the unravelling motions tended to become routine. One fine new dance per program, though, is a true gift! Thank you, Mr. Thomas and Ms. Noorami!

copyright 2022 by George Jackson

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Growth and Decay

Growth and Decay


“Meanwhile”
CARVALHO
Brooklyn, NY
August 8, 2026


Since its summer performance series began, CARVALHO, a contemporary art gallery in Brooklyn, New York, has carved out a special place in the city’s art scene. By combining dance with large-scale installation, curator and gallery founder Jennifer Carvalho has successfully given a gallery home to some of the dance world’s most exciting talent—and seems to have drawn in new dance audiences in the process.

CARVALHO’s latest offering, a

By Sophie Bress
Swan Next Door

Swan Next Door


“Swan Lake”
American Ballet Theatre
Metropolitan Opera House
New York, NY
July 18, 2026


At the closing performance of American Ballet Theatre’s 2026 summer season, Catherine Hurlin and Isaac Hernández stripped the myth out of "Swan Lake" and danced the leads like two people who could plausibly live down the street from you. Whether the choice was calculated or simply fatigue setting in on a long season, the effect was a unique, if not wholly compelling, reading of the

By Marianne Adams
All the New Things, In All the Wrong Places

All the New Things, In All the Wrong Places


“Don Quixote”
American Ballet Theatre
Metropolitan Opera House
New York, NY
July 7, 2026


Though it was promoted as a new production, Susan Jaffe’s new staging of “Don Quixote” for American Ballet Theatre proved to be more of a touch-up, and mostly in the wrong spots. It may have tied the ballet more closely to its titular character – something no one had really complained was missing over the last century – but Jaffe, working together with Susan Jones, missed

By Marianne Adams
Words and Music

Words and Music



Program B: American Heartbeat - County and Western
"Home (Excerpt 1)", "Deck of Cards", "Home" (Excerpt 2"), "Songs that Tell a Story", "Home" (Excerpt 3)", "Going Away Party"
Program C: American Mavericks - West Coast Composers
"Prelude and Prelude", "Jenn and Spencer", "Pacific", "Grand Duo"
Mark Morris Dance Group
The Joyce Theater
New York, NY 
July 21, 2026 (Program C), July 23, 2026 (Program B)


Programs B and C of Mark Morris’s all-American music season had distinctly different approaches.

By Mary Cargill