Similarities

Similarities

ICONS Choreographic Institute Thesis Dance Concert 2022
Dance Loft on 14
Washington DC
May 15, 2022 (matinee)


It is not surprising that there were resemblances among the dance works shown on this program. Vladimir Angelov was, after all, the teacher of all the choreographers and performers who were being presented. Angelov's pupils seem to think that dance is an unfolding of the human body - as if were a piece of clothing that had been wrapped up and needed to be unrolled before being worn. Some of the unfoldings on this bill were emotional, others were mechanical.

The most fascinating unfolding was a solo - Mimi Hoorami's "Richard" as danced by former child prodigy and later teen terror Rasta Thomas. "Richard" is this dance soliloquy's title and it is based on Shakespeare's drama of King Richard. Thomas shows the king as royal, refined, thoughtful, capable of being evil and of noble actions. What a great performance!

 Other choreographers iwere Elizabeth Watson, Millicent Parker and William L. Miller Jr. but it was easy to confuse the dances, especially those in which the unravelling motions tended to become routine. One fine new dance per program, though, is a true gift! Thank you, Mr. Thomas and Ms. Noorami!

copyright 2022 by George Jackson

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Yesterday's Tomorrow

Yesterday's Tomorrow


"La Sonnambula," "Pithoprakta," "The Unanswered Question," "Theme and Variations"
New York City Ballet
David H. Koch Theater
New York, NY
October 8, 2026


Amid premieres and a retirement, one of the most talked-about ballets of NYCB’s fall season was the revival of George Balanchine’s 1968 “Pithoprakta,” which the company saved for week five. Made back then on the legendary Suzanne Farrell, the work left the company’s repertory a year later, as did the ballerina. Now, decades

By Marianne Adams
Variations in White

Variations in White


"La Sonnambula", "Pithoprakta", "The Unanswered Question", "Theme and Variations"
New York City Ballet
David H. Koch Theater
New York, NY
October 13, 2026


Perhaps coincidentally all four ballets in this all-Balanchine program featured women in white. Most of these women were mysteriously unavailable; only the couple in the final “Theme and Variations” seemed set for a happy life, and that was a fairy tale romance, as the ballet is essentially a quick tour of the highlights Petipa’s “The

By Mary Cargill
The House Balanchine Built, Redecorated

The House Balanchine Built, Redecorated


"Pulcinella Variations," "Auspicy," "Shared Rain," "Love Letters (On Shuffle)"
New York City Ballet
David H. Koch Theater
New York, NY
October 6, 2026


As New York City Ballet’s Contemporary Choreography program wore on, I kept wondering what Mr. B would say if he were watching. Two new works, Alysa Pires’s “Auspicy” and Jennifer Archibald’s “Shared Rain,” were sandwiched between two recent ones, Justin Peck’s “Pulcinella Variations” and Kyle Abraham’s “Love Letter (on shuffle).” All four

By Marianne Adams
Looking for a Theme

Looking for a Theme


"Continuum", "Solitude", "Bourrée Fantasque"
New York City Ballet
David H. Koch Theater
New York, NY
October 7, 2026


The heart of this triple bill was the central work, Alexei Ratmansky’s searing “Solitude”, his powerfully understated reaction to wartime’s destruction.  It opened with Christopher Wheeldon’s abstract exercise “Continuum”, one of his sparest and most inventive works, and ended with the rarely seen “Bourrée Fantasque”, Balanchine’s 1949 ballet buffa.  The evening ricochetted between comedy and tragedy,

By Mary Cargill