Marianne Adams

“The Barre Project, Blake Works II,” “Thousandth Orange,” “Swift Arrow,” “Time Spell”
Turn It Out with Tiler Peck and Friends
New York City Center
New York, NY
October 16, 2025

Tiler Peck’s intimately curated show – Turn It Out with Tiler Peck and Friends – made a brief but powerful return at City Center with an assortment of four ballets that showcased every performer's strengths while cleverly avoiding their weaknesses. Above all else, the program was a celebration of musicality itself

“Voices,” “Composer’s Holiday,” “Herman Schmerman Pas de Deux,” “Foreseeable Future”
New York City Ballet
David H. Koch Theater
New York, NY
October 10, 2025

There is no such thing as too much new dance, but that does not always lessen one’s longing for the old. For its last program of the fall season, New York City Ballet presented three works from the last decade, including a premiere from its Fall Gala this season by Jamar Roberts, and William

“Confetti,” “Valentine,” “Sea Shadow,” “Light Rain”
Arpino Dance Festival, Program 2
The Joyce Theater
New York, NY
October 7, 2025

If there was one overarching theme of the Arpino Dance Festival, particularly in the second program, it was the choreographer’s unapologetic commitment to experimentation and entertainment. That such a vision could materialize on the Joyce's intimate stage, and given the participating dancers' complex schedules and the festival's logistical demands, is a testament to Arpino Foundation’s leadership’s curatorial

“Signs,” “Red Angels,” “Zakuski,” “Heatscape”
New York City Ballet
David H. Koch Theater
New York, NY
October 4, 2025

Although the program was titled Eclectic NYCB, the combination of “Signs,” “Red Angels,” “Zakuski,” and a new to the company this season Justin Peck ballet – “Heatscape” set to Bohuslav Martinů’s music – registered more as an assortment of stripped-down, thematically minimalist styles than an eclectic curation.  The takeaway: this type of dance is comfort-territory for the company, even when the

“Confetti,” “L’air d’Esprit,” “Round of Angels,” “Birthday Variations”
Arpino Dance Festival, Program 1
The Joyce Theater
New York, NY
October 1, 2025

Two years after Gerald Arpino’s centennial celebration, New York audiences got a chance to delight in the works of this co-founder of The Joffrey Ballet.  Though the company he helped build decamped to Chicago decades ago, the Arpino Dance Festival's opening program brought his distinctive spirit home through dancers assembled from companies nationwide, and

“Swan Lake”
American Ballet Theatre
Metropolitan Opera House
New York, NY
July 17 and 19, 2025

In a move full of risk and opportunity, American Ballet Theatre bookended its Met season with two blocks of its production of “Swan Lake,” now in its 25^th year.  The immortal classic, even in ABT’s flawed rendition, remains a tried-and-true blockbuster, but more crucially serves as an unforgiving vehicle for showcasing and assessing a company’s talent. While all eyes this

“Sylvia”
American Ballet Theatre
Metropolitan Opera House
New York, NY
July 10, 2025

“Sylvia” was American Ballet Theatre’s marquee offering this season, at least if you were trying to draw a conclusion from the company’s marketing and the sheer saturation of this ballet across the media.  Presented by ABT for the first time in almost a decade, this Frederick Ashton ballet had many debuts, some misses, and a truly mesmerizing partnership in Chloe Misseldine as Sylvia and

“The Winter’s Tale”
American Ballet Theatre
Metropolitan Opera House
New York, NY
July 3, 2025

Christopher Wheeldon’s “The Winter’s Tale,” set to original music by Joby Talbot, graced the stage during American Ballet Theatre’s Met season only seven times, but it was clear that this addition to the company’s repertory is a worthy one. Set to Shakespeare’s story but danced with Wheeldon’s modern language, it is precisely the kind of vehicle the company

“Woolf Works”
American Ballet Theatre
Metropolitan Opera House
New York, NY
June 17, 2025

In a full lineup of classics or classical-feeling story ballets, Wayne McGregor’s “Woolf Works” to Max Richter’s music stood as American Ballet Theatre’s one edgy and daring offering this season. Rooted in literary works by Virginia Woolf and wholly embedded in McGregor’s signature pliant style, this ballet showcased the company at its versatile best, with deeper and more seasoned interpretation from how

“From You Within Me,” “Variations Pour Une Porte et Un Soupir,” “Mystic Familiar”
New York City Ballet
David H. Koch Theater
New York, NY
January 29, 2025

New York City Ballet's "New Combinations" program proved that while anything old can feel new again, the new can just as easily feel like a rehashing of the old. Along with Christopher Wheeldon’s dreary 2023 ballet “From You Within Me” and George Balanchine’s experimental 1974 work “Variations Pour Une Porte et

“Crime and Punishment”
American Ballet Theater
David H. Koch Theater
New York, NY
November 1, 2024

As a novel, Fyodor Dostoyevsky’s “Crime and Punishment” can be deeply intellectually rewarding or torturously challenging.  As a ballet, Helen Pickett’s adaptation, which premiered during ABT’s fall season, was solely the latter.  Set over twenty scenes to commissioned score from Isobel Waller-Bridge, the work felt like it was based on the CliffsNotes version of the book, not the actual

“Ará,” “Network,” “Toujours,” “Monarcas,” “Moss Anthology: Variation #5,” “This Bitter Earth,” “The Golden Turtle,” “Divinity in Paradox”
vildwerk.: “Time To Protect Our Planet” Program
Theatre of Museo del Barrio
New York, NY
October 15, 2024

Can dance save the world?  The question feels rhetorical, but vildwerk., a new foundation that seeks to raise global environmental awareness through dance, is on a mission to have it at least help. Featuring commissions from noteworthy choreographers of our time, such as Joshua