Something Out of Nothing

Something Out of Nothing
Still from For a Dance Never Choreographed, 2021. Photo: Stefano Croci.

"For a Dance Never Choreographed"
A film by Luca Veggetti
Text from notes by Martha Graham
Voice: Chen-Wei Lee
Cinematography: Stefano Croci
Music: Paolo Aralla


For artists and introverts, the Pandemic of 2020-22 was a window of opportunity – a chance to observe the world in the absence of normal human activity.  During lockdown and quarantine periods, walking deserted streets or sitting in empty public spaces, we could suddenly see form without function — the structure of civilization without its uses.   

Italian artist-choreographer Luca Veggetti found himself stuck in his hometown of Bologna, Italy, when the pandemic struck in 2020.  So he made something out of nothing.  

Veggetti’s film For a Dance Never Choreographed (2021) takes place in an empty plaza designed by Isamu Noguchi, with a text of notes by Martha Graham for a dance she never made.  The movement of the earth around the sun is represented by dark shadows creeping over the plaza, and the only human presence is the sound of voices crying, whispering, gasping and groaning — expression minus words.  The whole impression is made by taking things away, removing the contents of  civilization and examining its substrate of earth and bricks, light and shade, desire and discontent.  

The 22-minute film is now permanently on view in the digital collection of the Noguchi Museum in New York.  To watch, click here.

Now--- shhhh. 

copyright 2022 by Tom Phillips 

Read more

Mood Music

Mood Music


"Kammermusik No. 2", "Le Tombeau de Couperin", "Antique Epigraphs", "Raymonda Variations"
New York City Ballet
David H. Koch Theater
New York, NY
January 23, 2026


The four ballets (three by Balanchine and one—“Antique Epigraphs”—by Robbins) on this program were all plotless explorations of the different atmospheres created by the composers, ranging from the jagged tones of Hindemith’s “Kammermusik No. 2”, the classical calm of Maurice Ravel’s “Le Tombeau de Couperin”, the mysterious Grecian echoes of Claude

By Mary Cargill
First and Last

First and Last


"Serenade", "Prodigal Son", "Paquita"
New York City Ballet
David H. Koch Theater
New York, NY
January 22, 2026


This evening’s ballets were a a series of firsts and lasts; Balanchine’s “Serenade” (1935) is the first ballet he made in the US, his “Prodigal Son” is the last of his works performed by the Diaghilev company, and Alexei Ratmansky’s “Paquita” (2025), while certainly not the first or the last work he has made for NYCB, is the first

By Mary Cargill
All That Worth Protecting

All That Worth Protecting


“When the Water Breaks,” “Monarcas,” “Floes,” “Symbiotic Twins,” “Network,” “After the Rain,” “Asylum,” “Moss Anthology: Variation #5b (2025)”
vildwerk.
New York Live Arts
New York, NY
December 17, 2025


Dance lovers are drawn to dance because of its inherent beauty: visual, musical, and in story ballets, narrative. And it’s no coincidence. Humans are creatures captivated by beauty, whether born of nature or shaped by human effort. And so, when vildwerk., a three-year-old nonprofit with an urgent mission, married an

By Marianne Adams
Complexions: Gorgeous, Stalled

Complexions: Gorgeous, Stalled


“Beethoven Concerto,” “Deeply,” “I Got U,” “Love Rocks”
Complexions Contemporary Ballet
The Joyce Theater
New York, NY
November 25, 2025


Founded in 1994, Complexions Contemporary Ballet’s endurance is to be applauded, and its two-week run at The Joyce Theater is testament to the weight of commitment.  The company bills itself as an innovator, yet Program B, which I saw on this night, revealed that steadfast dedication to creation was more of its forte than innovation itself.  Two

By Marianne Adams