Similarities

Similarities

ICONS Choreographic Institute Thesis Dance Concert 2022
Dance Loft on 14
Washington DC
May 15, 2022 (matinee)


It is not surprising that there were resemblances among the dance works shown on this program. Vladimir Angelov was, after all, the teacher of all the choreographers and performers who were being presented. Angelov's pupils seem to think that dance is an unfolding of the human body - as if were a piece of clothing that had been wrapped up and needed to be unrolled before being worn. Some of the unfoldings on this bill were emotional, others were mechanical.

The most fascinating unfolding was a solo - Mimi Hoorami's "Richard" as danced by former child prodigy and later teen terror Rasta Thomas. "Richard" is this dance soliloquy's title and it is based on Shakespeare's drama of King Richard. Thomas shows the king as royal, refined, thoughtful, capable of being evil and of noble actions. What a great performance!

 Other choreographers iwere Elizabeth Watson, Millicent Parker and William L. Miller Jr. but it was easy to confuse the dances, especially those in which the unravelling motions tended to become routine. One fine new dance per program, though, is a true gift! Thank you, Mr. Thomas and Ms. Noorami!

copyright 2022 by George Jackson

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Atmospheres

Atmospheres


"Mozartiana", "Nuages", "The Firebird"
American Ballet Theatre
David H. Koch Theater
New York, NY
March 14, 2026, matinee


The sold out audience enjoyed two ballets plus one brief pas de deux, each with its own distinct atmosphere and music.  Appropriately, nuages is French for clouds, which were floating in the background of the ballet Jiří Kylián set to Claude Debussy’s dreamy “Trois Nocturnes”. “Mozartiana”, to Tchaikovsky’s “Suite no. 4”, based on themes by Mozart, is another of

By Mary Cargill
Six Strings, One Soul

Six Strings, One Soul


“Vuela”
Ballet Flamenco Sara Baras
Flamenco Festival
New York City Center
New York, NY
March 5, 2026


With truly great artists, it is often impossible to pinpoint the precise source of their magic. Is it the way Sara Baras's fingers slow as they curl into floreo – that signature hand flourish of flamenco – the way she fires off rhythms with machine-gun precision, or the way she suspends motion entirely, lifting her skirt in breathless anticipation before the movement arrives? Whatever it

By Marianne Adams
Leïla Ka's Maldonne

Leïla Ka's Maldonne


"Maldonne"
Leïla Ka
Co-Presented with Dance Reflections by Van Cleef & Arpels Festival
New York Live Arts
New York City
February 27 and February 28 (matinee), 2026


French choreographer Leïla Ka is not one to shy away from the depths and vulnerability of womanhood. Co-presented with Dance Reflections by Van Cleef & Arpels at New York Live Arts, Ka’s "Maldonne" stretches the definition of femininity, utilizing five dancers and 40 dresses to

By Miranda Stück